White label

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This article is about the vinyl records; for other uses, see White Label (disambiguation).
Image:White-label-blank.jpg
A White label promo 12" vinyl.

White label records are vinyl records with plain white label stickers. They are usually produced in small amounts (<300) by small record companies or DJs. White labels are most popular with house music and hip-hop DJs. In the early 1990s, hardcore techno/house artists created tracks in home or local studios and had 500 or a few thousand singles pressed on 12" white labels, which were easy to sell at dance music record stores.[1] Steve Beckett of Warp Records recalls that "shops would take fifty [white labels] off you for five pounds each, no problem. Dance music was all imports, then people in Britain started doing it for themselves, and their tracks started to get better than the tunes in America." [1] Record labels like Warp and Shut Up and Dance were begun as white-label enterprises, providing cutting-edge dance music to pirate radio stations and music stores alike. [2][1]

In the United States, the traditional term "White Label Promo" refers to a promotional pressing with a label that has mostly the same text and label logo/artwork as the commercial label, but with a white background instead of the color or artwork found on the commercial pressings.

Originally white labels came about when competing DJs would tear the labels off their records so that others would not be able to find out their most special, rare, or "secret weapon" tracks. Today, white labels are commonly used to promote new artists or upcoming albums by veteran artists. In some cases white labels are even issued to conceal artist identities (two successful examples of this would be songs by Traci Lords and LaToya Jackson, whose record companies issued white labels so that DJs would have no pre-conceived notions about the music just by seeing who the artist was). Many dance music producers press copies of white labels in order to test crowd response in dance clubs to their own musical productions.

White labels can be found at most music stores that carry vinyl.

[edit] Copyright & Royalties

Many white labels contain unsolicited remixes and/or tracks that are not yet licensed or released (also called "bootlegs"). White labels can be referred to as "promos" (short for "promotional copies") that many top-name DJs receive and play weeks or sometimes months before a song gets general release to the public. As artists using samples pay very high fees for the privilege of such, they must be able to gauge the market potential before handing over the money.

The industry itself seems to be aware of this necessity and white labels are commonly accepted as a necessary evil within the industry, which has only ever prosecuted an extremely small number of those artists using white labeled pressings of uncleared samples and compositions.

Depending upon your content, jurisdiction, and distribution, one may be subject to these issues in one domain but not in another, even for the exact same material. The laws and regulations are not uniform across regions, countries, or even various media, like radio, satellite, or internet.


White Label Music W.L.M. is an independent label based in Windsor, U.K. Directors: Marc Hunter, Ann Shenton [Add N to X]

Releases include;

 ELECTRONIC BIBLE series (a compilation series including tracks from Jarvis Cocker, Sonic Boom, High Lamas, Billy Ray Martin, Hiem, Pony harvest, Delia Derbyshire of the BBC Radiophonic Workshop & The Asbo kid aka EMF). Plus selected vinyl and a host of other top electronica both on physical release and downloadable from i-tunes.

W.L.M. also hosts the SONIC WEEKEND experiments which create an opportunity for up to 20 artists to record on location twice a year. The resulting album [produced by Pierre Duplan] is owned 100% by the artists.

W.L.M. embraces experimental music, a unique label that offers its own sync deal for all artists; TOURETTES PUBLISHING.

W.L.M. also works with Moscow based major label SOYUZ.

[edit] Tips on producing white labels


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[edit] References

  1. ^ a b c Reynolds, Simon (1998). Generation Ecstasy: Into the world of Techno and Rave Culture. Little, Brown and Co.. ISBN 0415923735. 
  2. ^ Editors review: Warp Records. BBC. bbc.co.uk. Retrieved on 2007-10-31.
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