Wes Anderson
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| Wesley Anderson | ||||||
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| Born | May 1 1969 Houston, Texas, US | |||||
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Wesley Wales Anderson (born May 1, 1969) is an American writer, producer, and director of films and commercials. He was nominated for an Academy Award for Best Original Screenplay.
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[edit] Biography
Anderson, the middle child of three brothers, was born in Houston, Texas. His father, Melver Leonard Anderson, was in advertising, and his mother, Texas Ann Burroughs, was an archaeologist and is now a real estate agent.
He attended both Westchester High School and St. John's School, a private school in Houston, which was later used as a filming location for his second film, Rushmore. Like Rushmore's protagonist Max Fischer, Anderson used to stage plays of his own direction on the stage of the now-demolished Hoodwink Theatre at St. John's.
Anderson studied philosophy at the University of Texas, where he met Owen Wilson. After making a short film version of Bottle Rocket, Anderson and Wilson attracted the notice of producer James L. Brooks. With his help they were able to get their short film into Sundance and secure funding for the feature-length version of Bottle Rocket.
Anderson lives in New York City, Los Angeles, and Paris, France. He is friends with filmmaker Noah Baumbach, actor/screenwriter Owen Wilson, and Sofia Coppola. His brother, Eric, is a set designer on his films. His other brother, Mel, is a doctor. His father has his own Public Relations business in Houston.
[edit] Film Work
Wes Anderson has been called an auteur,[1] heavily involved in every aspect of his films' production: writing, cinematography, production design, music selection, etc.
[edit] Influences
Anderson has acknowledged that French directors François Truffaut and Louis Malle influenced his penchant for sympathetic tragicomedy, unconventional mis-en-scene, and personal approach to filmmaking.[citation needed] He often cites Mike Nichols' The Graduate as a recurring inspiration.[citation needed] He has stated that he is a fan of Hal Ashby. Anderson is also noted for drawing on famous works of American literature, particularly those of F. Scott Fitzgerald and J.D. Salinger.[citation needed] Fitzgerald's famous quote, "There are no second acts in American lives," applies to many of Anderson's characters, who tend to fall quickly from their initial success and renown (although many of them make limited comebacks). Salinger influences are seen in Bottle Rocket (Anthony and his sister's relationship parallels Phoebe and Holden Caulfield in The Catcher in the Rye, and both girls have a friend named Bernice) and Rushmore (Max is expelled from his prestigious school, as is Caulfield).[citation needed] The family structure in The Royal Tenenbaums also echoes Salinger's Glass family, each of the Glass children being renowned to some degree in the same way each of the Tenenbaum children achieve their respective success. Also, the scene in The Royal Tenenbaums where Etheline visits Margot who is soaking in the bathtub. This scene mirrors much of Franny and Zooey where Zooey is soaking in the tub, smoking and talking to his mother, Bessie[citation needed]
Anderson's stylized films also borrow youthful aesthetic qualities from comics such as Charles Schulz's Peanuts (The Royal Tenenbaums/Rushmore). A less well-known aesthetic influence is the French photographer Jacques Henri Lartigue: the name Zissou derives from Lartigue's brother's name, and his old photos reveal similarities with Anderson's visuals.[citation needed]
Anderson has recently acknowledged that he went to India to film his 2007 film, "The Darjeeling Limited" partly as a tribute to the legendary Indian filmmaker Satyajit Ray, whose "films have also inspired all my other movies in different ways". He dedicated the movie to the Indian filmmaker's memory.[2]
[edit] Trademarks
Wes Anderson is known for making independent type stylistic films. His films most often contain a mixture of poignancy and dry humor. Anderson’s films typically make use of slow motion shots, as well as folk and early rock music. The characters in his films are often somewhat damaged but are viewed in a passionate light. Cigarette smoking also seems to be one of his trademarks with at least one or more of the main characters occasionally smoking cigarettes in all of his films.
[edit] Collaborators
Anderson's films feature many of the same actors, crew members, and other collaborators:
- Owen Wilson, Luke Wilson, and Andrew Wilson
- Bill Murray
- Seymour Cassel
- Anjelica Huston
- Kumar Pallana and son Dipak Pallana
- Noah Baumbach co-wrote The Life Aquatic, and wrote/directed his own film, The Squid and the Whale, with Anderson as producer
- Robert Yeoman, A.S.C., cinematographer
- Mark Mothersbaugh, composer of original music
- Friends Stephen Dignan and Brian Tenenbaum (also character name inspirations)
- Eric Chase Anderson (Wes' brother)
- Jason Schwartzman
[edit] Soundtracks
Anderson's films are as frequently acclaimed for their choice of soundtrack music, most notably the work of Mark Mothersbaugh in four of his five films. Other artists frequently featured in Anderson's soundtracks include:
- The Rolling Stones: "2000 Man" in Bottle Rocket, "I Am Waiting" in Rushmore, "She Smiled Sweetly" and "Ruby Tuesday" in The Royal Tenenbaums, "Play with Fire" in The Darjeeling Limited
- The Kinks: "Nothing in This World Can Stop Me Worrying About That Girl" in Rushmore; "This Time Tomorrow," "Strangers," and "Powerman" in The Darjeeling Limited
- Bob Dylan: "Main Title Theme (Billy)" and "Wigwam" in The Royal Tenenbaums
- David Bowie: Multiple songs in The Life Aquatic, performed by himself or (more frequently) in Portuguese by Seu Jorge
- Cat Stevens: "Here Comes My Baby" and "The Wind" in Rushmore
- John Lennon: "Oh Yoko" in Rushmore and "Look At Me" in The Royal Tenenbaums
[edit] Recent work
In 2005, Anderson produced The Squid and the Whale, written and directed by Life Aquatic co-writer Noah Baumbach. It won two awards at the Sundance Film Festival.[citation needed] In 2006, he directed and starred in a "My Life, My Card" American Express commercial.
Owen Wilson reunited with Anderson on the 2007 film, The Darjeeling Limited. The script is written by Anderson, Roman Coppola and Jason Schwartzman.[3] Anderson's stop-motion animation adaptation of the Roald Dahl book, Fantastic Mr Fox is slated for 2009 release.
[edit] Acclaim and criticism
Critical reviews of Anderson's early work were positive, with some exceptions. His second film Rushmore was a critical darling, and many argued that Anderson would soon become a major artistic voice in American cinema.[citation needed] Many critics noted a strong sense of sympathetic but intelligent humanism in Anderson's films that linked them to the work of Jean Renoir and François Truffaut.[citation needed] Filmmaker Martin Scorsese is a fan of Anderson's, praising Bottle Rocket and Rushmore in an Esquire magazine article.[citation needed] The Royal Tenenbaums was also a critical favorite and garnered Anderson an Academy Award nomination. The film was his first high-profile commercial success, featuring several established movie stars.[citation needed]
In September 2006, following the disappointing commercial and critical reception of The Life Aquatic with Steve Zissou, Steely Dan's Walter Becker and Donald Fagen released a tongue-in-cheek "letter of intervention" of Anderson's artistic "malaise". Proclaiming themselves to be fans of "World Cinema" and Anderson in particular, they offered Anderson their soundtrack services for his The Darjeeling Limited, including lyrics for a title track.[4]
Anderson has also been criticized by journalist Jonah Weiner for his allegedly shallow portrayals of non-white characters. [1] Reihan Salam of The Atlantic Monthly offered a rebuttal to this line of criticism. [2]
[edit] Advertising
In September 2007, Wes Anderson oversaw a series of six commercials for AT&T: “College Kid,” “Reporter,” “Mom,” “Architect,” “Actor” and “Businessman.” The campaign also includes online, print and outdoor advertising. These TV spots are part of AT&T's "Your Seamless World" national campaign from BBDO/New York. Each ad embodies Anderson's distinct style by focusing on a subject and having the environment around them change. Each of the six AT&T commercials introduces us to a different AT&T customer ranging from an architect, an actor and a mother to a reporter, salesman and student. As each of these people comes before the camera and talks about the different, far-reaching locales where he or she needs cell-phone service, the visuals behind the customer change dramatically to reflect the different destinations, be it a red-carpet premiere in London, war-torn Beirut and student housing in Prague, among others.[citation needed]
The "Reporter" piece was subject to controversy when several Lebanese-American groups protested its airing as ignorant given the complex and sensitive nature of the Lebanese political situation. The ad portrayed photojournalists dodging bullets on a Beirut rooftop while the city was being bombed. It was subsequently pulled from rotation after the assassination of Antoine Ghanem on September 19, 2007 with AT&T and BBDO issuing public apologies.[3]
[edit] Fashion
Anderson has become increasingly known for his contemporary suits, which he wears on most occasions from directing to giving talks. Many fashion critics have complimented him on his style, and use of traditional designs. On occasion he has been known to sport a monacle, along with an alabaster hued cossack hat. He also has a controlling interest in a sprawling chinchilla ranch in northern Saskatchewan. At the London International Film Festival, Anderson commented that he was surprised at the attention, and that the suits were made by a gentleman on New York's 5th Avenue for him.[citation needed]
[edit] Filmography
[edit] Feature films
- Bottle Rocket (1996)
- Rushmore (1998)
- The Royal Tenenbaums (2001)
- The Life Aquatic with Steve Zissou (2004)
- The Darjeeling Limited (2007)
- Fantastic Mr. Fox (2009)
[edit] Short films
- Bottle Rocket (1994)
- Hotel Chevalier (2007)
[edit] References
- ^ Smith, Derek (December 2004). The Life Aquatic with Steve Zissou. Cinematic Reflections. Retrieved on 2007-08-22.
- ^ On Ray's Trail. The Statesman. Retrieved on 2007-10-19.
- ^ Wilson & Anderson reminisce over a cup of Darjeeling. Production Weekly (August 2006). Retrieved on 2007-08-22.
- ^ Becker, Walter; Donald Fagen (August 2006). Attention Wes Anderson. Steely Dan. Retrieved on 2007-08-22.
[edit] External links
- Into The Deep, in-depth Anderson profile at The Guardian
- "Wes Anderson", brief profile by Martin Scorsese
- Wes Anderson interviews Bill Murray at Interview
- Announcement of Wes Anderson's new film The Darjeeling Limited
- Wes Anderson at the Internet Movie Database
- IONCINEMA.com interview with Wes Anderson for The Darjeeling Limited
- The Rushmore Academy - The Films of Wes Anderson (fan site)
- Wes Anderson Interview on The Hour with George Stroumboulopoulos
Films directed by Wes Anderson |
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| Features: Bottle Rocket (1996) • Rushmore (1998) • The Royal Tenenbaums (2001) • The Life Aquatic with Steve Zissou (2004) • The Darjeeling Limited (2007) • Fantastic Mr. Fox (2009) Shorts: Bottle Rocket (1994) • Hotel Chevalier (2007) |
| Persondata | |
|---|---|
| NAME | Anderson, Wesley |
| ALTERNATIVE NAMES | |
| SHORT DESCRIPTION | Film director |
| DATE OF BIRTH | 1969-5-1 |
| PLACE OF BIRTH | Houston, Texas |
| DATE OF DEATH | |
| PLACE OF DEATH | |
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