The Electric Kool-Aid Acid Test

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The Electric Kool-Aid Acid Test is a literary journalism book written by Tom Wolfe early in his career in 1968. Using techniques from the genre of hysterical realism and pioneering new journalism, he tells the story of Ken Kesey and his band of Merry Pranksters as they drive across the country in a DayGlo painted school bus dubbed "Furthur," reaching what they considered to be personal and collective revelations through the use of LSD and other psychedelic drugs. It covers their cross country road trip, as well as the Acid Tests, early performances by The Grateful Dead, and Kesey's exile to Mexico. Wolfe is primarily concerned not with narrative, but with relating the Pranksters' intellectual and quasi-religious experiences.

Contents

[edit] Tom Wolfe's influences

This article or section may contain original research or unverified claims.
Please improve the article by adding references. See the talk page for details. (September 2007)

Though Wolfe did not indulge in the same frequent drug use as the subjects in his work, he was intrigued by their experience and attempted to capture their state of mind and frequent revelations. To do so, he used extensive interviews and primary texts including many interviews, letters, and recordings from Ken Kesey, Norman Hartweg, and Robert Stone (among many others) to re-create not only the story of the Merry Pranksters, but the "subjective reality" of their experience, which relates obviously to Kesey's philosophizing of intersubjectivity. Far more controversially, Wolfe used (and vaguely cited) the research of Hunter S. Thompson, who encountered the Merry Pranksters while writing his own nonfiction novel on the Hell's Angels motorcycle gang. Unlike Wolfe, Thompson was a friend to Kesey, before and after all of these publications. Wolfe seems to write just as maniacally as someone who would have been “on the bus", while his "[recreation] of" his subject's "subjective reality" is occasionally interrupted by his "impersonal and objective" narrator's self-inclusion. Wolfe's infrequent first-person recounting creates the underpinning dynamic between subject and journalist in the novel, which establishes Wolfe as a medium of the acid culture to what he calls "the outside world," in a form which he was concurrently establishing as a medium of journalism within a greater medium of literature.

[edit] Mentioned in Acid Test

[edit] References

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[edit] External links

v • d • e
Works by Tom Wolfe
Novels:The Bonfire of the Vanities (1987) • A Man in Full (1998) • I Am Charlotte Simmons (2004) • Back to Blood (expected 2009)
Essays:"Stalking the Billion-Footed Beast"
Essay collections:Mauve Gloves & Madmen, Clutter & Vine • The Pump House Gang • The Kandy-Kolored Tangerine-Flake Streamline Baby • Hooking Up (inc. a novella)
Non-fiction:The Purple Decades • From Bauhaus to Our House • In Our Time • The Right Stuff • The Painted Word • The New Journalism • Radical Chic & Mau-Mauing the Flak Catchers • The Electric Kool-Aid Acid Test
Film adaptations:The Right Stuff (1983) • The Bonfire of the Vanities (1990)
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