Soubrette

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Soubrette is a term referring to a type of female role —specifically, a stock character —in opera and theatre. The term arrived in English from Provençal via French, and means "conceited" or "coy".[1]

In theatre, the term soubrette describes a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy - often a chambermaid or confidante of the ingenue, she often displays a flirtatious or even sexually aggressive nature. Such characters appeared in commedia dell'arte scenarios, often in the role of Columbina, where the actress would provide the details of her behavior and dialogue. [2] From there, she moved to the works of Molière, which were influenced by commedia; the role of Dorine in Tartuffe (1664) fits the description. A famous example, though a hundred years later, is the role of Suzanne in Beaumarchais' Le Mariage de Figaro (1784).[3]

In classical music and opera, the term Soubrette refers to both a soprano voice type and a particular type of opera role. A soubrette voice is light with a bright, sweet timbre, a tessitura in the mid-range, and with no extensive coloratura.[4] A soubrette's range extends approximately from middle C (C4) to "high D" (D6).[5] The soubrette roles are typically found in comic operas or operettas and they usually portray good looking youthful girls who are both flirtatious, saucy, and street wise. Typically these roles are sung by younger singers and both sopranos and mezzo-sopranos are cast in them. [6] Many soubrette roles have a considerable amount of spoken German dialogue, and therefore the soubrette singer must possess both an excellent comprehension of the German language and superior acting skills. It is rare today to find true soubrette's singing in major opera houses as their voices are typically unable to carry over larger orchestras in larger halls. Often lyric, coloratura, and mezzo sopranos are cast in soubrette roles, especially in the early part of their singing careers. This does not mean that these singers are soubrette sopranos but it does mean they can play soubrette roles.[7] The Coloratura soprano has a higher range, can sing more dexterous vocal passages and has a somewhat brighter sound than the soubrette. The Lyric soprano has a richer voice and higher range than the soubrette soprano. The mezzo-soprano can sing as high as a soubrette but with a darker timbre and heavier weight in the voice. Mezzos also have a much more extensive range in the lower register. [8] In addition, the beautiful light voice of the soubrette is ideal for baroque music, early music and baroque opera, as well as many art songs. However, the soubrette soprano is limited even in this repertoire by its lack of coloratura skill and relatively limited range.[9] Many operettas and musicals include soubrette characters, such as Valencienne in The Merry Widow [10] and in Gilbert and Sullivan, the Jessie Bond mezzo-soprano roles such as Cousin Hebe (HMS Pinafore) and Lady Angela (Patience.[11] Another example is the character Ellie Mae Chipley, who sings "Life Upon the Wicked Stage" in Kern and Hammerstein's Show Boat.[12]

Contents

[edit] Sopranos who sing or sang soubrette roles

[edit] Mezzo-sopranos who sang or sing soubrette roles

[edit] Soubrette roles in opera and operettas[13]

[edit] Listen and Compare

Here are four different voice types singing the same soubrette role, Susanna, in The Marriage of Figaro by Mozart.

[edit] See also

[edit] External links

[edit] References

  1. ^ http://www.thefreedictionary.com/soubrette
  2. ^ http://www.delpiano.com/carnival/html/servetta.html
  3. ^ http://www.britannica.com/eb/article-9068785/soubrette Encyclopedia Britannica
  4. ^ http://www.geocities.com/concertopera/voicetype.html
  5. ^ http://www.dolmetsch.com/defsv2.htm
  6. ^ Boldrey (1992),Singer's Edition (Soubrette), cited below
  7. ^ Boldrey (1992),Singer's Edition (Soubrette), cited below
  8. ^ http://www.ipasource.com/soprano#KOLORATURSOPRAN/KOLORATUR_SOUBRETTE_(c_to_f)
  9. ^ Boldrey (1992),Singer's Edition (Soubrette), cited below
  10. ^ http://www.vlog.org/merrywidow2006/widow_auditions.htm
  11. ^ http://math.boisestate.edu/gas/whowaswho/B/BondJessie.htm
  12. ^ http://www.nodanw.com/shows_s/show_boat.htm
  13. ^ Boldrey (1994), Guide to Operatic Roles and Arias, cited below
de:Soubrette

es:Soprano soubrette eo:Subreto fr:Soubrette it:Soubrette lb:Soubrette hu:Szubrett ru:Субретка

[edit] Further reading

Boldrey, Richard (1994). Guide to Operatic Roles and Arias. Caldwell Publishing Company. ISBN 13: 9781877761645. 

Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition (Light Lyric Soprano): Operatic Arias - Light Lyric Soprano. Caldwell Publishing Company. ISBN 13: 9781877761027. 

Boldrey, Richard; Robert Caldwell, Werner Singer, Joan Wall and Roger Pines (1992). Singer's Edition (Soubrette): Operatic Arias - Soubrette. Caldwell Publishing Company. ISBN 13: 9781877761034. 

Coffin, Berton (1960). Coloratura, Lyric and Dramatic Soprano, Vol. 1. Rowman & Littlefield Publishers, Inc.. ISBN 13: 9780810801882. 

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