Shirley Booth
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| Shirley Booth | |
|---|---|
| Birth name | Thelma Marjory Ford |
| Born | August 30 1898 New York City, New York, US |
| Died | October 16 1992 (aged 94) North Chatham, Massachusetts, US |
| Spouse(s) | Ed Gardner (1929-1942) William V. Baker (1943-1951) |
Shirley Booth (August 30, 1898 – October 16, 1992) was an acclaimed Tony Award, Academy Award, Emmy Award, Golden Globeand Cannes award-winning American actress, whose acclaim on stage and in motion pictures was eclipsed by her late-life popularity as television's sitcom maid Hazel.
She was born Thelma Booth Ford in New York, New York, the daughter of Albert James Ford and Virginia Martha Wright. Her sister was Jean Valentine Ford (born 1914).
She began her career on the stage as a teenager, acting in stock company productions, and was briefly known as Thelma Booth Ford. Her Broadway debut was in the play Hell's Bells opposite Humphrey Bogart on January 26, 1925.
Booth first attracted major notice as the female lead in the comedy hit "Three Men on a Horse" which ran almost two years in 1935 to 1937. During the 1930s and 1940s, she achieved popularity in dramas, comedies and, later, musicals. She acted with Katharine Hepburn in The Philadelphia Story (1939) and with Ralph Bellamy in Tomorrow the World (1943) and enjoyed one of the most active careers on Broadway for over three decades.
Booth also starred on the popular radio series Duffy's Tavern, playing the lighthearted, wisecracking, man-crazy daughter (the character was said to carry a marriage license reading, "Miss Duffy...and to Whom It May Concern") of the unseen tavern owner on CBS radio from 1941 to 1942 and on NBC-Blue Radio from 1942 to 1943. Her then-real life husband, Ed Gardner, created and wrote the show as well as playing its lead character, Archie, the malapropping manager of the tavern; she left the show not long after the couple divorced, but they were said to have remained friends for the rest of Gardner's life. Booth later auditioned for but did not win the title role of Our Miss Brooks, the role that made Eve Arden a star in 1948.
Booth received her first Tony, for Best Supporting or Featured Actress (Dramatic), for her performance as Grace Woods in Goodbye, My Fancy (1948). Her second Tony was for Best Actress in a Play, which she received for her widely acclaimed performance of the tortured wife, Lola Delaney, in the poignant drama Come Back, Little Sheba (1950). Her leading man, Sidney Blackmer, received the Tony for Best Actor in a Play for his performance as her husband, Doc.
Her enormous success in Come Back, Little Sheba was immediately followed by A Tree Grows in Brooklyn (1951), in which she played feisty but lovable Aunt Cissy, which proved to be another major hit.
She then went to Hollywood and recreated her stage role in the motion picture version of Come Back, Little Sheba (1952), with Burt Lancaster playing Doc. Screen legend Bette Davis, her career recently revitalized, was offered to star in the film version, but felt the part of Lola wasn't right for her. After that movie, Booth's first, was completed, she returned to New York and played Leona Samish in The Time of the Cuckoo (1952) on Broadway.
In 1953, Booth received the Oscar for Best Actress in a Leading Role for her performance in Come Back, Little Sheba, becoming the first actress ever to win both a Tony and an Oscar for the same role. The film also earned Booth "Best Actress" awards from The Cannes Film Festival, the Golden Globe Awards, The New York Film Critics Circle Awards, and National Board of Review. She also received her third Tony, which was her second in the Best Actress in a Play category, for her performance in the Broadway production of Arthur Laurents' play The Time of the Cuckoo.
Booth was 54 when she made her first movie, although she had successfully deleted a decade off her age, with her publicity stating 1907 as the year of her birth. The correct year of birth was known by only her closest associates until her actual age was announced at the time of her death. Her second starring film, a romantic drama About Mrs. Leslie (1954) opposite Robert Ryan, was released in 1954 to good reviews. (In 1953, Booth had made a cameo appearance as herself in the allstar comedy/drama Main Street to Broadway.
She spent the next few years commuting between New York and Southern California. On Broadway, she scored personal successes in the musical By the Beautiful Sea (1954) and the comedy Desk Set (1955). Although Booth had become well known to moviegoers during this period, the movie versions of both Cuckoo, which was re-titled for the movie Summertime, and Desk Set went to Katharine Hepburn.
She returned to motion pictures in 1958 starring in two more films for Paramount, playing Dolly Gallagher Levi in Thornton Wilder's romance/comedy The Matchmaker (1958), which is the movie version of the nonmusical play that Hello, Dolly! was later based on, and playing Alma Duval in the drama Hot Spell (1958). She was named runnerup to Susan Hayward in I Want to Live! as the year's "Best Actress" by the New York Film Critics Circle for her two 1958 films.
In 1957, she won the Sarah Siddons Award for her work on the stage in Chicago. She returned to the Broadway stage in 1959, starring as the long-suffering title character in the Marc Blitzstein musical Juno, an adaptation of Sean O'Casey's 1924 classic play, Juno and the Paycock.
Frank Capra unsuccessfully attempted to bring Booth back to the screen with Pocketful of Miracles in 1961, but after screening Capra's original version, Lady for a Day (1933), Booth informed him there was no way she could match May Robson's moving, Oscar-nominated performance in the original and so Capra signed Bette Davis instead (who was indeed unfavorably compared to Robson by most reviewers when the film was released.)
In 1961, Booth began starring in the television situation comedy Hazel, based on Ted Key's popular comic strip from the Saturday Evening Post about domineering yet endearing housemaid, Hazel Burke. The show reunited her with Harry Ackerman, who produced the show, and she won two Emmys, in 1962 and 1963, and new stardom with a younger audience. Booth received another Emmy nomination for her third season as "Hazel" in 1964 and in 1966 was also Emmy nominated for her performance as Amanda in a television adaptation of The Glass Menagerie.
She told the Associated Press in 1963, at the height of the show's popularity, "I liked playing Hazel the first time I read one of the scripts, and I could see all the possibilities of the character–the comedy would take care of itself. My job was to give her heart. Hazel never bores me. Besides, she's my insurance policy." She proved prescient with the last comment; the show was seen in syndicated reruns for many years after it ceased first-run production in 1966.
Booth was a distinguished and versatile performer, equally at home acting in theatre, radio, and on the big and small screen. She had a long and prestigious list of stage credits and made numerous appearances in TV movies and programs. Her last Broadway appearances were in a revival of Noel Coward's play Hay Fever and the musical Look to the Lilies, both in 1970.
After appearing as Grace Simpson in the TV series A Touch of Grace (1973), which was directed by Carl Reiner, she did voice work for the animated special The Year Without a Santa Claus (1974), playing Mrs. Santa, then retired.
Booth's second marriage, to William Baker in 1943, lasted until his death in 1951; the actress never remarried and had no children from either marriage. She died after a brief illness at age 94 at her home on the Cape Cod town of North Chatham, Massachusetts; actress Julie Harris lived nearby and would visit her. She is interred in Mount Hebron Cemetery, Montclair, New Jersey.
Shirley Booth has a star on the Hollywood Walk of Fame at 6840 Hollywood Boulevard in Hollywood.
The first and only biography of her life is expected to be published in 2008.
Contents |
[edit] Body of work
| Broadway appearances[1] | ||||
|---|---|---|---|---|
| Dates of production | Title | Role | Genre | Notes |
| 26 January 1925 - May 1925 | Hell's Bells | Nan Winchester | Comedy | |
| 2 November 1925 - June 1926 | Laff That Off | Peggy Bryant | Comedy | |
| 7 October 1926 - October 1926 | Buy, Buy Baby | Betty Hamilton | Comedy | |
| Oct 6, 1927 - Oct 1927 | High Gear | Mary Marshall | Comedy | |
| Sep 24, 1928 - Dec 1928 | The War Song | Emily Rosen | Drama | |
| Apr 21, 1931 - Apr 1931 | School for Virtue | Marg | Comedy | |
| Oct 2, 1931 - Oct 1931 | The Camels are Coming | Bobby Marchante | Comedy | |
| Nov 30, 1931 - Jan 1932 | Coastwise | Annie Duval | Original drama | |
| May 8, 1933 - Jun 1933 | The Mask and the Face | Elisa Zanotti | Comedy revival | |
| Feb 7, 1934 - Feb 1934 | After Such Pleasures | Comedy | ||
| Jan 30, 1935 - Jan 9, 1937 | Three Men on a Horse | Mabel | Comedy | |
| Apr 9, 1937 - Jul 1937 | Excursion | Mrs. Loschavio | Comedy | |
| Nov 15, 1937 - Nov 1937 | Too Many Heroes | Carrie Nolan | Drama | |
| Mar 28, 1939 - Mar 30, 1940 | The Philadelphia Story | Elizabeth Imbrie | Comedy | |
| Dec 26, 1940 - Jan 16, 1943 | My Sister Eileen | Ruth Sherwood | Comedy | |
| Apr 14, 1943 - Jun 17, 1944 | Tomorrow the World | Leona Richards | Drama | |
| May 31, 1945 - Jul 14, 1945 | Hollywood Pinafore | Louhedda Hopsons | Comedy | |
| Dec 11, 1946 - Dec 14, 1946 | Land's End | Susan Pengilly | Drama | |
| Jan 16, 1948 - Jan 17, 1948 | The Men We Marry | Drama | ||
| Nov 17, 1948 - Dec 24, 1949 | Goodbye, My Fancy | Grace Woods | Drama | Tony Award for Best Supporting Actress in a Play[2] |
| Nov 7, 1949 - Nov 19, 1949 | Love Me Long | Abby Quinn | Comedy | |
| Feb 15, 1950 - Jul 29, 1950 | Come Back, Little Sheba | Lola | Drama | Tony Award[2] |
| Apr 19, 1951 - Dec 8, 1951 | A Tree Grows in Brooklyn | Cissy | Musical | |
| Oct 15, 1952 - May 30, 1953 | The Time of the Cuckoo | Leona Samish | Drama | Tony Award[2] |
| Apr 8, 1954 - Nov 27, 1954 | By the Beautiful Sea | Lottie Gibson | Musical | |
| Oct 24, 1955 - Jul 5, 1956 | Desk Set | Bunny Watson | Comedy | |
| Dec 26, 1957 - Feb 8, 1958 | Miss Isobel | Mrs. Ackroyd | Drama | |
| Mar 9, 1959 - Mar 21, 1959 | Juno | Juno Boyle | Musical | |
| Apr 13, 1960 - May 7, 1960 | A Second String | Fanny | Drama | |
| Mar 29, 1970 - Apr 18, 1970 | Look to the Lilies | Musical | ||
| Nov 9, 1970 - Nov 28, 1970 | Hay Fever | Judith Bliss | Comedy revival | |
| Film appearances | ||||
|---|---|---|---|---|
| Year | Title | Role | Notes | |
| 1952 | Come Back, Little Sheba | Lola | Academy Award for Best Actress Golden Globe Award for Best Actress - Motion Picture Drama | |
| 1953 | Main Street To Broadway | Herself | ||
| 1954 | About Mrs. Leslie | Mrs. Vivien Leslie | ||
| 1958 | Hot Spell | Alma Duval | ||
| The Matchmaker | Dolly 'Gallagher' Levi | |||
| Television appearances | ||||
|---|---|---|---|---|
| Year | Title | Role | Notes | |
| 1954 | Welcome Home | Jenny | on The United States Steel Hour | |
| 1957 | The Hostess With the Mostess | Perle Mesta | on Playhouse 90 | |
| 1961 | The Haven | on The United States Steel Hour | ||
| 1961-1965 | Hazel | Hazel Burke | Emmy Award 1962 & 1963, nominated 1965 | |
| 1966 | The Glass Menagerie | Amanda Wingfield | on CBS Playhouse Nominated Emmy Award | |
| 1967 | Do Not Go Gentle Into That Good Night | Heloise Michaud | CBS Playhouse | |
| 1968 | The Smugglers | Mrs. Hudson | ||
| 1973 | A Touch of Grace | Grace Simpson | Television series | |
| 1974 | The Year Without a Santa Claus | Mrs. Claus | voice actress | |
[edit] Trivia
| Trivia sections are discouraged under Wikipedia guidelines. The article could be improved by integrating relevant items and removing inappropriate ones. |
- Three actresses earned Academy Award nominations for recreating Shirley Booth's role in motion picture versions of her plays - Ruth Hussey in The Philadelphia Story (1940), Rosalind Russell in My Sister Eileen (1942), and Katharine Hepburn in Summertime (1955).
- Shirley Booth was also renowned for her readings of Dorothy Parker's writings, recording an album of these performances for Caedmon Records in the 1950s that is still available today on compact disc.
- On an episode of the sitcom "Seinfeld" (entitled "The Subway"), the character of George Costanza (Jason Alexander) invokes Shirley Booth's name while drawing a comparison to his own mother. He claims his mother looked like an "uglier and fatter version of Shirley Booth". The episode aired in January 1992, only a few months before Booth's death.
| Awards | ||
|---|---|---|
| Preceded by Vivien Leigh for A Streetcar Named Desire | Academy Award for Best Actress 1952 for Come Back, Little Sheba | Succeeded by Audrey Hepburn for Roman Holiday |
| Preceded by Jane Wyman for The Blue Veil | Golden Globe Award for Best Actress - Motion Picture Drama 1953 for Come Back, Little Sheba | Succeeded by Audrey Hepburn for Roman Holiday |
| Preceded by Lee Grant for Detective Story | Award for Best Actress - Cannes Film Festival 1953 for Come Back, Little Sheba | Succeeded by None |
| Preceded by Vivien Leigh for A Streetcar Named Desire | NYFCC Award for Best Actress 1952 for Come Back, Little Sheba | Succeeded by Audrey Hepburn for Roman Holiday |
[edit] References
[edit] External links
- Shirley Booth at the Internet Broadway Database
- Shirley Booth at the Internet Movie Database
- VoiceChasers.com entry for Shirley Booth
- Obituary, NY Times, October 21, 1992
- Shirley Booth memorial at Find A Gravede:Shirley Booth
fr:Shirley Booth it:Shirley Booth nl:Shirley Booth no:Shirley Booth ru:Ширли Бут fi:Shirley Booth sv:Shirley Booth tg:Ширлей Боот
Categories: Cleanup from August 2007 | All pages needing cleanup | Articles with trivia sections from December 2007 | 1898 births | 1992 deaths | American stage actors | American radio actors | American radio personalities | American film actors | American television actors | American voice actors | Best Drama Actress Golden Globe (film) | Tony Award winners | Best Actress Academy Award winners | Hollywood Walk of Fame | Sarah Siddons Award winners | People from New York City

