Natalie Wood
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| Natalie Wood | ||||||
|---|---|---|---|---|---|---|
| Birth name | Natalia Nikolaevna Zakharenko | |||||
| Born | July 20 1938 San Francisco, California | |||||
| Died | November 29 1981 (aged 43) Santa Catalina Island, California | |||||
| Resting place | Westwood Village Memorial Park Cemetery, Los Angeles, California Plot: Section D, #60 | |||||
| Spouse(s) | Robert Wagner (1957-1962, 1972-1981) Richard Gregson (1969-1971) | |||||
| ||||||
Natalie Wood (July 20, 1938 – November 29, 1981) was a three time Academy Award nominated American film actress.
Contents |
[edit] Biography
[edit] Early life
Wood was born Natalia Nikolaevna Zakharenko in San Francisco, California, to Russian immigrants, Nikolai and Maria Zakharenko. Shortly after, they moved north to Sonoma County and lived in Santa Rosa, California for a couple years before she was "discovered" in a film while shooting in downtown Santa Rosa. Her mother soon moved their family to Los Angeles to pursue a career for the young talent. Her parents changed their surname to "Gurdin", and by the age of 4 she was billed as Natasha Gurdin. Her mother tightly managed and controlled the young girl's career and personal life from her start in films at the age of five. She starred in multiple films as a child including both Miracle on 34th Street and The Ghost and Mrs. Muir in 1947. Her father is described by Wood's biographers as a passive alcoholic who went along with his wife's demands. Her sister, Lana Wood, is also an actress, notably a Bond girl, and was featured in a Playboy pictorial (she was not, however, a Playmate). She had another sister, Olga.
[edit] Career
At age sixteen, Wood won the role of Judy in Nicholas Ray's Rebel Without a Cause, co-starring James Dean, Sal Mineo, and Dennis Hopper. Most biographers say that she slept with Ray and Hopper in order to advance her career, and that her mother engaged her teenaged daughter to do this.[1] Wood became one of the relatively few child stars to make the transition to adult stardom. By the time she was 25, she was already a three-time Oscar nominee, for Rebel Without a Cause, Splendor in the Grass and Love With the Proper Stranger.
Another of her widely noted films was the Jerome Robbins and Robert Wise musical West Side Story, in which she played Maria. Wood was initially signed to do her own singing, but in the end, she was dubbed by professional singer Marni Nixon, which is said to have disappointed her. Nonetheless, she enjoyed worldwide celebrity status, comparable to that of Elizabeth Taylor. Her own singing voice was used when she played the title role in the 1962 film Gypsy, and she also was heard singing in her own voice in the slapstick comedy The Great Race in 1965 co-starring Jack Lemmon and Tony Curtis. As a restless on-screen companion of James Dean and an off-screen date of Elvis Presley, she was much admired and envied by the young girls of the day. She once stated about Elvis, "He can sing, but he can’t do much else."[citation needed]
Despite critical acclaim for her work and box office success, Wood's acting was also criticized by many, and in 1966 she won the Harvard Lampoon Worst Actress of the Year Award. She was the first performer in the history of the award to accept in person, winning respect from the institution for being such a good sport.[2] In 1972, noted movie historian David Shipman claimed that Wood had expressed a desire to act as well as Bette Davis, then he noted, "That edge that Davis had is missing. A Davis performance stays with you for days. Two hours after seeing Natalie Wood, you've forgotten her."
After appearing in the hit film, Bob & Carol & Ted & Alice in 1969, Wood retreated from the spotlight in order to start a family with her second husband Richard Gregson, although the marriage ended in divorce a short time later for reasons that are not clear. After Wood remarried Wagner, the glamorous couple got a lot of publicity for working together, along with Sir Laurence Olivier, in a production of Cat On A Hot Tin Roof made for NBC television. TV critics lambasted it and Wood's performance as Maggie the Cat, and it was never rebroadcast.
[edit] Relationships
Among the men Wood frequently dated were singer Elvis Presley and actors Raymond Burr, Dennis Hopper, Warren Beatty, Nick Adams, Tab Hunter, Michael Caine and Scott Marlowe.
According to Mary F. Pols, the teenaged Wood went on studio-arranged dates, often with closeted gay actors. In 1956, one of these was Tab Hunter, seven years her senior, with whom she developed a genuine friendship. They would attend parties to promote the two films they co-starred in that year, The Burning Hills and The Girl He Left Behind. Wood biographer and Hollywood screenwriter Gavin Lambert also notes Wood had studio-arranged dates with homosexual or bisexual actors. Her relationship with Nick Adams began with a studio-arranged date (but Lambert's claim Adams was homosexual is disputed).[3] Hunter in his autobiography elaborates on how a Hollywood studio's publicization of a sham romance between two actors each under contract to it was a strategy to stimulate public desire for seeing that studio's forthcoming films. The demographic segment he in particular appealed to was the newly influential teenage girl market segment, since he had swiftly established himself as a leading heartthrob for that demographic.
According to Lambert and his reviewer David Ehrenstein, Wood financially supported homosexual playwright Mart Crowley in a manner that made it possible for him to write his play, The Boys in the Band. He worked as her personal assistant for 21 years.
Concerning a possible relationship between Wood and allegedly homosexual actor Raymond Burr, 21 years her senior, Wood's biographer, Suzanne Finstad, cites Dennis Hopper as saying, "I just can't wrap my mind around that one. But you know, I saw them together. They were definitely a couple. Who knows what was going on there."[cite this quote]
Gavin Lambert wrote that, contrary to popular belief, Wood's casting in Rebel Without a Cause did not lead to a romance with co-star James Dean: "Like many people, she was fascinated by his charm. He had this magnetic quality on the screen and in life... They got on very well, they liked each other a lot." However, most biographers write that she slept with Hopper and director Nicholas Ray.[4] Lambert added that both Dean and Ray helped renew her passion for acting after a diet of lackluster movies like Chicken Every Sunday, Dear Brat and Father Was a Fullback.
Natalie Wood's two marriages to actor Robert Wagner were publicized often in a positive light without any hints of arguments that may have led to the end of the first (in 1962) or conflicts that arose during the second besides the alleged fight on Wood's last night alive. As newlyweds in 1958, the couple was considered such an ideal couple by Hollywood figures, who even then were cynical about marriage, that they were asked to hand Oscar trophies to all the winners in that year's ceremony. In film of the ceremony presenter David Niven can be heard calling them "lovebirds" and joking that they needed to stop staring at each other so passionately and to get the next statuette ready. According to Suzanne Finstad, Wood ended her first marriage to Wagner after she caught him "in a compromising position with another man."[5] Wagner is aware of Finstad's claim, and he has called it untrue.[citation needed] Statements made by Wood in divorce court and to the press did not hint at the allegation Finstad made decades later. Wood said she was seeking the divorce because Wagner spent a lot of time playing golf and he regularly criticized her friends, who did not play golf.[6] Wagner was, in fact, photographed on golf courses many times from the 1950s until the 1990s, and not always for publication.[citation needed]
Despite a large publicity build-up as a contract player with Twentieth Century Fox in the 1950s, the hit movies in which Wagner had top billing were few and far between at the time of the 1962 divorce. Wood, however, was widely seen at the time because West Side Story (film) in which she starred had won Best Picture (along with awards in many other categories) a few weeks earlier at the Academy Awards ceremony, and the film still played in many theaters throughout the United States (although its year of release is always listed as 1961). Although Wood's singing in the movie was dubbed, that fact was not known to many moviegoers outside of New York and Los Angeles, and they enjoyed "her" voice both on film and in the soundtrack album, which featured a large photograph of Wood and her co-star Richard Beymer on the front cover and became one of the top-selling record albums of the year.
[edit] Activities with Warren Beatty
The relationship Natalie Wood had with Warren Beatty immediately after her divorce from Wagner was heavily publicized in 1962 and 1963. Wood and Beatty were photographed together many times at Hollywood events and filmed for newsreels, but one night during their relationship that would interest a wide audience today remains mysterious. Wood allegedly, on the day of Darryl Zanuck's funeral on December 27, 1979, told James Haspiel, a personal friend of Marilyn Monroe, that Wood and Beatty had visited the Santa Monica beachfront home of Peter Lawford on Friday night, August 3, 1962.[7] The highly publicized couple allegedly saw Monroe and Robert Kennedy visit the house together. Wood and Beatty, aware of Kennedy's reputation as a devoted family man, allegedly felt awkward trying to make conversation, and they left the house.[8] Wood died without telling the story directly to any journalist or writer. The first neutral person to investigate the allegation, Anthony Summers, queried Beatty two years after Wood's death. He admitted to seeing only Monroe "the night before she died" but refused to comment further or to identify anyone else who was present at the scene.[9] No one has queried Beatty about the incident for publication since Summers did.[citation needed]
[edit] Drowning at Catalina Island
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On November 29, 1981, at the age of 43, Natalie Wood drowned while the yacht she and Wagner owned, The Splendor, was anchored near Catalina Island. An investigation by Los Angeles County coroner Thomas Noguchi resulted in an official verdict of accidental drowning, although speculation about the circumstances continues.
Wood was on board the yacht with Wagner, Christopher Walken and a skipper named Dennis Davern whom the married couple had used for many years. The couple had invited Walken to join them during a Thanksgiving weekend break from filming the science-fiction screenplay Brainstorm. In September and October, Wood had done location work on the film in Raleigh, North Carolina.[10] North Carolina had recently become known to Hollywood executives as an excellent production site. Wood and her husband stayed together in Raleigh for weeks without causing any trouble or negative rumors in the vicinity of her filming location.[11] (Wagner was on a break from filming his Aaron Spelling-produced hit TV series Hart to Hart.) They then returned to California where Wood spent most of November shooting interior scenes (including artistic simulations of mind reading performed by the futuristic device that is the centerpiece of the film) on the MGM lot in Culver City. Wood and Walken, who co-starred in the project, shot love scenes several days before Thanksgiving. [12] Mart Crowley, employed as Wood's personal assistant since 1960, had accompanied her to North Carolina. He then joined the actress, her mother, sisters, and Wagner for Thanksgiving dinner in Los Angeles, but he declined Wood's invitation to spend the holiday weekend on the yacht.
Anchored in the Pacific Ocean on the Saturday night of the holiday weekend, Robert Wagner and Christopher Walken reportedly had a loud argument about how Walken was behaving around Wood on the yacht and possibly in a Catalina Island restaurant where they all partied earlier that day. Wood apparently tried either to leave the yacht or to secure a dinghy that was banging against the hull when she accidentally slipped and fell overboard. A woman on a nearby yacht said she heard cries for help from the water at around midnight, along with voices replying, "Take it easy. We'll be over to get you."[13] The woman, a commodities broker who had never met Wood, Wagner, or Walken, said this "call and response" continued for more than 15 minutes. She added that the woman who kept repeating "Help me" did it in a curiously flat, unemotional tone of voice. To quote the witness directly, "There just wasn't much credibility in that droning repetition." For that reason the commodities broker did nothing, and said that she felt "a lot of guilt" when she learned that Wood had drowned.[citation needed]
Wagner has always refused to discuss the events of that night. Walken said in a New York Times interview in 1992 that there was no argument and that neither he nor Wagner witnessed Wood's fall. He added that her small physical stature (five feet tall) was a major factor in the accident.[14] The skipper of the yacht, Dennis Davern, videotaped a rambling and confusing interview in 1992 for the TV documentary program Now It Can Be Told, hosted by Geraldo Rivera. At one point during the interview, his girlfriend, who never met any of the yacht's passengers, appears to goad him into making an accusation, and Davern hesitates.
Of the three witnesses who have talked, only the commodities broker told her story to the media without being pressed and within a reasonable amount of time. She gave reporters her whole story less than two days after Wood's body was discovered; Walken and Davern both waited more than ten years to say anything.
Dr. Noguchi revealed that Wood was legally intoxicated when she died and that there were marks and bruises on her body, which could have been received as a result of her fall. In Noguchi's memoir, Coroner, he stated that had Wood not been intoxicated, she likely would have realized that her heavy down-filled coat and wool sweater were pulling her underwater, and would have removed them. Noguchi said he found Wood's fingernails still embedded in the rubber boat's side.
At the time of her death Wood was filming Brainstorm. Released in theaters two years later without a climactic scene that Wood was scheduled to film the week after Thanksgiving, it turned out to be a box-office disaster. Wood was also scheduled to make her stage debut in an Ahmanson Theatre production of Anastasia, opposite Dame Wendy Hiller. She was scheduled to begin rehearsals in December 1981 shortly after wrapping Brainstorm.
In the 1990s, several magazine writers[who?], apparently frustrated with the silence of Robert Wagner and Christopher Walken, interviewed Dennis Davern (skipper of The Splendor) and they pursued people who recalled seeing Natalie Wood on Catalina Island on both Saturday, November 28 and Friday, November 27. Journalists claimed she was drunk and disorientated on Friday evening, more than 24 hours before her death and she spent Friday night in an island hotel with Davern (who supposedly kept his clothes on the entire time). Wood is depicted as smashing plates against the wall of an island restaurant on Saturday afternoon. Few writers emphasize that this alleged behavior had to have happened within 36 hours of her death and that the DVD of Brainstorm stands as evidence of her long days of shooting an erudite science-fiction film (in which Wood's character is a scientist who plays classical piano) for almost three months until Thanksgiving week. A positive story from the Saturday-afternoon restaurant meal was published immediately after her death in a supermarket tabloid and then forgotten.[neutrality disputed] According to the story, a little girl eating with her family at the restaurant recognized Wood from Miracle On 34th Street and approached her to discuss the film. The delighted actress sat the little girl on her lap and talked to her.
Natalie Wood is buried in Westwood Village Memorial Park Cemetery. She was survived by her husband, Robert Wagner, and two daughters, Natasha Gregson Wagner (from her marriage to Richard Gregson), and Courtney Wagner, her daughter with Robert Wagner. Other survivors included her stepdaughter Katie Wagner (from Robert Wagner's previous marriage to Marion Marshall), her sister, Lana Wood, sister Olga Virapaeff, and her mother. Lana Wood published a 1986 biography in which she expresses anger about her sister's death, although she does not explain how much of the blame for it should go to Wagner, Walken or Davern. She admits her sister drank too much occasionally, but "she was not an alcoholic by any stretch of the imagination."[cite this quote]
[edit] Trivia
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- When she was nine she had an accident on a movie set that left a slight but permanent bone protrusion on her left wrist. For the rest of her life, on camera or in public, she wore a bracelet to cover it. The nighttime accident, in which a footbridge holding Wood collapsed, caused her to fear dark water and drowning for the rest of her life.
- Wood's fear became an issue during the filming of at least three of her films in which her character becomes immersed in water. During the making of This Property Is Condemned, she was so scared of performing a skinny-dipping scene that co-star Robert Redford held her feet underwater to help steady her while shooting it.
- She is one of several child actors to have been nominated for an acting-related Oscar in adulthood. Other examples are Elizabeth Taylor (who won two Oscars in adulthood), Jodie Foster (also won twice in adulthood), Jennifer Connelly (won once), Judy Garland, Natalie Portman, Dean Stockwell, Mickey Rooney, Joaquin Phoenix, Mary Pickford, Jackie Earl Haley and a few others.
- Wood spoke Russian.
- She and Robert Wagner were close friends of Joan Collins.
[edit] Awards and Honors
| Year | Group | Award | Film | Result |
|---|---|---|---|---|
| 1946 | Box Office Magazine | Most Talented Young Actress of 1946 | Tomorrow is Forever | Won |
| 1956 | Academy Award | Best Actress in a Supporting Role | Rebel Without a Cause | Nominated |
| 1956 | National Association of Theatre Owners | Star of Tomorrow Award | - | Won |
| 1957 | Golden Globe Award | Most Promising Newcomer | - | Won |
| 1958 | Golden Laurel Awards | Top Female Dramatic Performance | Marjorie Morningstar | Nominated |
| 1958 | Golden Laurel Awards | Top Female Star | - | Nominated (13th place) |
| 1959 | Golden Laurel Awards | Top Female Star | - | Nominated (7th place) |
| 1960 | Golden Laurel Awards | Top Female Star | - | Nominated (9th place) |
| 1961 | Grauman's Chinese Theatre | Handprint Ceremony | - | Inducted |
| 1961 | Golden Laurel Awards | Top Female Star | - | Nominated (14th place) |
| 1962 | Academy Award | Best Actress in a Leading Role | Splendor in the Grass | Nominated |
| 1962 | Golden Globe Award | Best Motion Picture Actress: Drama | Splendor in the Grass | Nominated |
| 1962 | Golden Laurel Awards | Top Female Dramatic Performance | Splendor in the Grass | Nominated |
| 1962 | Golden Laurel Awards | Top Female Star | - | Nominated (5th place) |
| 1963 | British Academy of Film and Television Arts | Best Foreign Actress | Splendor in the Grass | Nominated |
| 1963 | Golden Globe Award | Best Motion Picture Actress: Musical/Comedy | Gypsy | Nominated |
| 1963 | Golden Laurel Awards | Top Female Musical Performance | Gypsy | Nominated |
| 1963 | Golden Laurel Awards | Top Female Star | - | Nominated (2nd place) |
| 1964 | Academy Award | Best Actress in a Leading Role | Love with the Proper Stranger | Nominated |
| 1964 | Golden Globe Award | Best Motion Picture Actress: Drama | Love with the Proper Stranger | Nominated |
| 1964 | Mar del Plata Film Festival | Best Actress | Love with the Proper Stranger | Won |
| 1964 | New York Film Critics Award | Best Actress | Love with the Proper Stranger | Nominated |
| 1964 | Golden Laurel Awards | Top Female Dramatic Performance | Love with the Proper Stranger | Nominated |
| 1964 | Golden Laurel Awards | Top Female Star | - | Nominated (3rd place) |
| 1965 | Golden Laurel Awards | Top Female Star | - | Nominated (6th place) |
| 1966 | Golden Globe Award | World Film Favorite | - | Won |
| 1966 | Golden Globe Award | Best Motion Picture Actress: Musical/Comedy | Inside Daisy Clover | Nominated |
| 1966 | Golden Laurel Awards | Top Female Star | - | Nominated (8th place) |
| 1967 | Golden Globe Award | Best Motion Picture Actress: Drama | This Property Is Condemned | Nominated |
| 1967 | Golden Laurel Awards | Top Female Dramatic Performance | This Property Is Condemned | Nominated |
| 1967 | Golden Laurel Awards | Top Female Star | - | Nominated (3th place) |
| 1968 | Golden Laurel Awards | Top Female Star | - | Nominated (12th place) |
| 1970 | Golden Laurel Awards | Top Female Star | - | Nominated (9th place) |
| 1971 | Golden Laurel Awards | Top Female Star | - | Nominated (9th place) |
| 1980 | Golden Globe Award | Best TV Actress: Drama | From Here to Eternity | Won |
| 1984 | Saturn Awards | Best Supporting Actress | Brainstorm | Nominated |
| 1987 | Hollywood Chamber of Commerce | Hollywood Walk of Fame | - | Inducted |
[edit] Filmography
| Year | Title | Role | Other notes | |
|---|---|---|---|---|
| 1983 | Brainstorm | Karen Brace | ||
| 1980 | The Memory of Eva Ryker | Eva/Claire Ryker | ||
| The Last Married Couple in America | Mari Thompson | |||
| 1979 | Meteor | Tatiana Nikolaevna Donskaya | ||
| The Cracker Factory | Cassie Barrett | |||
| 1976 | Cat on a Hot Tin Roof | Maggie | With husband Robert Wagner and Laurence Olivier | |
| 1975 | Peeper | Ellen Prendergast | ||
| 1973 | The Affair | Courtney Patterson | ||
| 1972 | The Candidate | Herself | ||
| 1969 | Bob & Carol & Ted & Alice | Carol Sanders | ||
| 1966 | Penelope | Penelope Elcott | ||
| This Property Is Condemned | Alva Starr | Golden Globe Nomination - Best Actress (Drama) | ||
| 1965 | Inside Daisy Clover | Daisy Clover | Golden Globe Nomination - Best Actress (Musical or Comedy) | |
| The Great Race | Maggie DuBois | |||
| 1964 | Sex and the Single Girl | Helen Gurley Brown | ||
| 1963 | Love with the Proper Stranger | Angie Rossini | Academy Award nomination - Best Actress Golden Globe Nomination - Best Actress (Drama) | |
| 1962 | Gypsy | Gypsy Rose Lee | Golden Globe Nomination - Best Actress (Musical or Comedy) | |
| 1961 | West Side Story | Maria | ||
| Splendor in the Grass | Wilma Dean Loomis | Academy Award nomination - Best Actress Golden Globe Nomination - Best Actress (Drama) BAFTA Award Best Foreign Actress | ||
| 1960 | All the Fine Young Cannibals | Sarah 'Salome' Davis | ||
| Cash McCall | Lory Austen | |||
| 1958 | Kings Go Forth | Monique Blair | ||
| Marjorie Morningstar | Marjorie Morgenstern | |||
| 1957 | Bombers B-52 | Lois Brennan | ||
| 1956 | The Girl He Left Behind | Susan Daniels | ||
| The Burning Hills | Maria Christina Colton | |||
| A Cry in the Night | Liz Taggert | |||
| The Searchers | Debbie Edwards (older) | |||
| 1955 | Rebel Without a Cause | Judy | Academy Award nomination - Best Supporting Actress | |
| One Desire | Seely Dowder | |||
| 1954 | The Silver Chalice | Helena as a child | ||
| 1952 | The Star | Gretchen | ||
| Just for You | Barbara Blake | |||
| The Rose Bowl Story | Sally Burke | |||
| 1951 | The Blue Veil | Stephanie Rawlins | ||
| Dear Brat | Pauline | |||
| 1950 | Never a Dull Moment | Nancy 'Nan' Howard | ||
| The Jackpot | Phyllis Lawrence | |||
| Our Very Own | Penny Macaulay | |||
| No Sad Songs for Me | Polly Scott | |||
| 1949 | Father Was a Fullback | Ellen Cooper | ||
| The Green Promise | Susan Anastasia Matthews | |||
| Chicken Every Sunday | Ruth Hefferan | |||
| 1948 | Scudda Hoo! Scudda Hay! | Bean McGill | ||
| 1947 | Driftwood | Jenny Hollingsworth | ||
| The Ghost and Mrs. Muir | Anna Muir as a child | |||
| Miracle on 34th Street | Susan Walker | |||
| 1946 | The Bride Wore Boots | Carol Warren | ||
| Tomorrow Is Forever | Margaret Ludwig | |||
| 1943 | Happy Land | Bit Part | uncredited |
[edit] Television work
- From Here to Eternity (Miniseries, 1979)
- Hart to Hart (Pilot episode, 1979, Cameo)
[edit] Bibliography
- Frascella, Lawrence and Al Weisel. Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause. Touchstone, 2005. ISBN 0-7432-6082-1.
- Finstad, Suzanne. Natasha: The Biography of Natalie Wood. Three Rivers Press, 2001. ISBN 0-609-80957-1.
- Lambert, Gavin. Natalie Wood: A Life. London: Faber and Faber, 2004. ISBN 0-571-22197-1.
- Harris, Warren G. Harris. Hollywood's Star-Crossed Lovers "Natalie and R.J.". Doubleday, 1988. ISBN 0-385-23691-3.
- Nickens, Christopher Nickens. Natalie Wood: A Biography in Photographs. Doubleday, 1986. ISBN 0-385-23307-8.
- Wood, Lana. Natalie: A Memoir by Her Sister. Putnam Pub Group, 1984. ISBN 0-399-12903-0.
[edit] References
- ^ According to Suzanne Finstad, Wood slept with director Nicholas Ray while she was trying to land the leading role in what became her breakthrough picture, Ray's Rebel Without a Cause. See Suzanne Finstad, Natasha: The Biography of Natalie Wood (Three Rivers Press, 2001). See also Chris Foran, "Natalie Wood deserved a better ending". The Milwaukee Journal Sentinel, July 31, 2001.
- ^ http://www.thecrimson.com/article.aspx?ref=493919
- ^ Bill Kelly, The Unsolved Death of Nick Adams, retrieved 5 Dec 2007.
- ^ According to Douglas L. Rathgeb, The Making of Rebel Without a Cause (2004), p. 90, "Dennis Hopper and Natalie Wood were involved in 'the youngest romance on the [Warner Bros.] lot these days.' Unknown to Dennis Hopper, and the Hollywood gossips, sixteen-year-old Natalie Wood had also began a romance with 43-year-old Nicholas Ray. Hopper discovered what many in the cast already knew when he made an unannounced visit ... and found Ray and Wood together in bed."
- ^ See Finstad, Natasha: The Biography of Natalie Wood (2001). See also Chris Foran, "Natalie Wood deserved a better ending" The Milwaukee Journal Sentinel, July 31, 2001.
- ^ Washington Post April 28, 1962 page B11
- ^ Haspiel, James. Marilyn: The Ultimate Look at the Legend. New York: Holt, 1991.
- ^ Haspiel, James. Marilyn: The Ultimate Look at the Legend. New York: Holt, 1991.
- ^ Summers, Anthony. Goddess: The Secret Lives of Marilyn Monroe. New York: Macmillan, 1985
- ^ front page of Los Angeles Times edition of Monday, November 30, 1981.
- ^ front page of Raleigh News & Observer edition of Monday, November 30, 1981.
- ^ front page of Los Angeles Times edition of Monday, November 30, 1981.
- ^ Time magazine, December 14, 1981
- ^ New York Times, June 24, 1992, page C1
[edit] External links
- Natalie Wood at the Internet Movie Database
- Foul Play on Catalina Island? The Mysterious Death of Natalie Wood
- Natalie Wood at Find a Grave
- Natalie Wood Style and Beauty Page
- Who2bs:Natalie Wood
de:Natalie Wood es:Natalie Wood eo:Natalie Wood fr:Natalie Wood hr:Natalie Wood id:Natalie Wood it:Natalie Wood nl:Natalie Wood ja:ナタリー・ウッド pl:Natalie Wood pt:Natalie Wood ru:Натали Вуд sr:Натали Вуд fi:Natalie Wood sv:Natalie Wood zh:娜妲麗華
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