Malone Dies
From Wikipedia, the free encyclopedia
| Author | Samuel Beckett |
|---|---|
| Original title | Malone Meurt |
| Translator | Samuel Beckett |
| Country | France |
| Language | French |
| Genre(s) | Novel |
| Publisher | Les Éditions de Minuit |
| Publication date | 1951 |
| Published in English | 1956 |
| Media type | Print, Paperback & Hardcover |
| Pages | 120 |
| ISBN | 0-8021-5117-5 |
| Preceded by | Molloy |
| Followed by | The Unnamable |
Malone Dies is a novel by Samuel Beckett. It was first published in 1951, in French, as Malone Meurt, and later translated into English by the author.
The second novel in Beckett's "Trilogy" (beginning with Molloy and ending with The Unnamable), it can be described as the space between wholeness and disintegration, action and total inertia. Along with the other two novels that comprise the trilogy, it marked the beginning of Beckett's most significant writing, where the questions of language and the fundamentals of constructing a non-traditional narrative became a central idea in his work. One does not get a sense of plot, character development, or even setting in this novel, as with most of his subsequent writing (e.g., Three Texts for Nothing, Fizzles, and How It Is). Malone Dies can be seen as the point in which Beckett took another direction with his writing, where the bareness of consciousness played a huge part in all his subsequent writings.
Malone Dies contains the famous line, "Nothing is more real than nothing", (New York: Grove, 1956; p. 16).
The Prose of Samuel Beckett | |
|---|---|
| Novels: | Dream of Fair to Middling Women, Mercier and Camier, Murphy, Molloy, Malone Dies, The Unnamable, Watt, How It Is |
| Short stories: | |
| Short story collections: | |
| Non-fiction: | Three Dialogues (with Georges Duthuit and Jacques Putnam), Disjecta, Proust |
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