Josef von Sternberg

From Wikipedia, the free encyclopedia

Jump to: navigation, search
Josef von Sternberg
Image:Josef von Sternberg.jpg
Born (29 May 1894
Image:Flag of Austria.svg Austria
Died 22 December 1969
Los Angeles


Josef von Sternberg aka Jonas Sternberg (29 May 1894, Vienna, Austria – 22 December 1969, Los Angeles, California) was an Austrian-American film director. He is one of the earliest examples of auteur filmmakers, and performed many other duties on his films besides directing, including cinematographer, writer, and editor. Von Sternberg's style has had a vast influence on later directors, particularly during the film noir movement. His mastery of mise-en-scene, lighting and soft lense is unrivaled, and his collaboration with sultry actress Marlene Dietrich is internationally celebrated.

Contents

[edit] Life and Work

Josef von Sternberg was born Jonas Stern (the false aristocratic title 'von' was later added by a Hollywood studio head to make the name sound more distinctive) to a Jewish family in New Jersey but spent much of his childhood in New York City where his father, a former soldier in the army of Austria-Hungary, tried to make a new life for himself. Sternberg grew up in poverty and dropped out of high school. As a youth he got a job cleaning and repairing movie prints and soon found himself apprenticing in the movie industry. He made his directorial debut in 1925 with The Salvation Hunters (called by some the first American independent film). Charlie Chaplin was impressed by this film, and worked with Von Sternberg at his Hollywood Studio. Von Sternberg had commercial success later in the decade at Paramount Studios with the remarkable late-period silent films The Last Command and Docks of New York, both noted for their influential cinematography. His reputation was also advanced by a series of early gangster films including Underworld and Thunderbolt.

His new found prosperity made it possible for him to commission an impressive mini-mansion from the famous architect Richard Neutra. Even after its demolition Von Sternberg house remained an example of modernism in Architecture.

In 1930, Sternberg went to Germany and directed the widely acclaimed film Der blaue Engel (The Blue Angel) in German and English versions simultaneously, the first German-language talkie. It was Sternberg's second film with the then-famous German actor Emil Jannings as the doomed Professor Rath. (The first was The Last Command.)

Sternberg also cast the then-unknown Marlene Dietrich as Lola Lola, the female lead, and overnight made her an international star. Sternberg and Dietrich continued to collaborate on Morocco, Dishonored, Shanghai Express, Blonde Venus, The Scarlet Empress, and The Devil is a Woman.

Macao (1952) was one of Sternberg's last Hollywood films.

Anatahan (1953) is the story of a group of Japanese soldiers who refused to believe that the Second World War had ended, it was directed, photographed, narrated, and written by von Sternberg. Anatahan had limited release, and it was a financial failure. Also, it happened to be Sternberg's final film: even though another Hollywood picture he directed (Jet Pilot) was released in 1957, it had actually been shot 7 years earlier, when he was still under contract with producer Howard Hughes.[1]

Von Sternberg died from a heart attack in 1969, aged 75, and was interred in the Westwood Village Memorial Park Cemetery in Los Angeles.

Sternberg's autobiography is titled Fun In A Chinese Laundry.

[edit] Selected Filmography

[edit] External links

[edit] References

  1. ^ http://ofcs.rottentomatoes.com/click/movie-10002773/reviews.php?critic=movies&sortby=default&page=1&rid=1135897
de:Josef von Sternberg

es:Josef von Sternberg eu:Josef von Sternberg fr:Josef von Sternberg it:Josef von Sternberg ja:ジョセフ・フォン・スタンバーグ no:Josef von Sternberg pt:Josef von Sternberg ru:Штернберг, Йозеф фон fi:Josef von Sternberg tr:Josef von Sternberg

Retrieved from "http://india.smashits.com/wikipedia/Josef_von_Sternberg"
Views
Personal tools

Toolbox