Johnny Hodges
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| Johnny Hodges | |
|---|---|
| Image:Johnnyhodges06021965a.jpg Johnny Hodges in concert, Feb. 6, 1965
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| Background information | |
| Birth name | John Cornelius Hodges |
| Born | July 25 1907 |
| Origin | Cambridge, Massachusetts |
| Died | May 11 1970 (aged 62) |
| Genre(s) | Ballads Swing Mainstream jazz |
| Occupation(s) | Saxophonist Clarinetist |
| Instrument(s) | Alto saxophone Soprano saxophone Clarinet |
| Associated acts | Sidney Bechet Lucky Roberts Chick Webb |
John Cornelius "Johnny" Hodges (25 July, 1907–11 May, 1970) was an American alto saxophonist and lead player of Duke Ellington's saxophone section, born in Cambridge, Massachusetts. He spent 38 years with Ellington, leaving to lead his own band from 1951 to 1955 and returning soon before Ellington's triumphant performance at the 1956 Newport Jazz Festival. Hodges started playing with Lloyd Scott, Sidney Bechet, Lucky Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges, who was featured on both alto and soprano sax. His unique sound became the identifying voice of the Ellington orchestra.
Hodges was mostly self-taught, although he did take lessons on soprano sax with Bechet. Johnny Hodges was one of the prominent Ellington Band members who featured in Benny Goodman's legendary 1938 Carnegie Hall concert. Benny Goodman said Hodges was "the greatest man on alto sax I ever heard." Charlie Parker called him "the Lily Pons of his instrument."
Ellington's practice of writing tunes specifically for members of his orchestra is reflected in the Hodges specialties, "Confab with Rab", "Jeep's Blues", and "Hodge Podge". Other songs recorded by the Ellington Orchestra which prominently feature Hodges' smooth alto-saxophone are "Magenta Haze", "Prelude to a kiss", "Haupe" from Anatomy of a Murder, "The star crossed lovers" from Ellingtons Such Sweet Thunder suite, "I got it bad (and that ain't good)," "Blood Count," and "Passion Flower".
He had a pure tone and economy of melody on both blues songs and ballads that won him admiration from musicians of all eras and styles, from Ben Webster to John Coltrane, both of whom played with him when he had his own orchestra in the 1950s, to Lawrence Welk, who featured him in an album of standards. His highly individualistic playing style, which featured the use of a wide vibrato and much sliding between slurred notes, was frequently imitated. He earned the nicknames Rabbit (for his enjoyment of lettuce sandwiches) and Jeep (for his apparent speed as a runner).[citation needed]
Hodges played on the front line of the Ellington saxophone grouping. A small highly precise man, his last performances were at the Imperial Room in Toronto, less than a week before his death from a sudden heart attack.
Duke Ellington's eulogy of Hodges included: "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes - this was Johnny Hodges. This is Johnny Hodges."
[edit] External links
A Tribute To Johnny Hodges - hereda:Johnny Hodges de:John Cornelius Hodges es:Johnny Hodges fr:Johnny Hodges hu:Johnny Hodges it:Johnny Hodges sv:Johnny Hodges
Categories: All articles with unsourced statements | Articles with unsourced statements since February 2007 | Swing saxophonists | Swing clarinetists | Mainstream jazz saxophonists | Mainstream jazz clarinetists | African Americans | American jazz saxophonists | American jazz clarinetists | Jazz alto saxophonists | Duke Ellington Orchestra members | 1907 births | 1970 deaths

