Get Carter

From Wikipedia, the free encyclopedia

Jump to: navigation, search
Get Carter
Image:Get Carter poster.jpg
Directed by Mike Hodges
Produced by Michael Klinger
Written by Novel:
Ted Lewis
Screenplay:
Mike Hodges
Starring Michael Caine
Ian Hendry
John Osborne
Britt Ekland
Music by Roy Budd
Cinematography Wolfgang Suschitzky
Editing by John Trumper
Distributed by Metro-Goldwyn-Mayer
Release date(s) March 3, 1971 New York
Running time 112 min.
Language English
IMDb profile

Get Carter is a 1971 British crime film, directed by Mike Hodges and starring Michael Caine as Jack Carter, a gangster who sets out to avenge the death of his brother in a series of unrelenting and brutal killings played out against the grim background of derelict urban housing in a low-income 1970s industrial city.

The film was based on Ted Lewis' 1969 novel Jack's Return Home, and was Hodges' first job as director; he also wrote the film's script. The film went from novel to finished film in just eight months, with location shooting in Newcastle and Gateshead lasting just forty days. The film was produced by Michael Klinger and released by MGM. This film was also Alun Armstrong's film debut.

Contents

[edit] Plot

Newcastle-born gangster Jack Carter has moved to London to work for Gerald Fletcher (Terence Rigby). As the film opens, Jack returns to Newcastle to attend the funeral of his brother, Frank, who died in what was officially listed as a drunken car accident. However, Jack suspects he was murdered and sets out to uncover the truth. After setting himself up with a room in a small boarding-house, Jack re-establish links with his family and past associates. After Jack questions local criminal big-shot Cyril Kinnear (John Osborne), thugs threaten Carter and warn him to leave town, but he violently attacks them. When he forces one of the henchmen to give him a name of someone who might be involved in Frank's death, he learns the name "Brumby."

Cliff Brumby (Bryan Mosley) is a blustering businessman with a controlling interest in local arcades. After Jack accosts him, he realizes that the thugs gave Brumby's name as a red herring to throw him off the trail. In Jack's absence, the thugs return, and attack the boarding house landlady (Rosemarie Dunham). The following morning, Fletcher, his London crime boss, sends two strong-arm men to get Jack to return to London, but Jack forces them back with a shotgun and escapes. The fact that so many people want him out of Newcastle only strengthens his suspicions. With Fletcher's men in pursuit, Jack meets with Brumby at the Trinity Centre Multi-Storey Car Park, who pegs Kinnear as Frank's killer and offers him £5,000 to kill him, which Jack refuses. After Jack discovers that his niece Doreen was an unwilling participant in an amateur pornographic film filmed in Kinnear's apartment, he becomes enraged.

(There is some indication that Doreen is in fact Jack's daughter following an affair with his sister-in-law. When Jack gives Keith money for "a course in karate", Keith screams that Frank "didn't even know if the kid was his!")

Jack concludes that Frank knew about the films and was killed before he could expose them. Jack's subsequent revenge is unrelenting and brutal, played out against the grim background of Tyneside in the early 1970s, a world of smoky bars, working men's clubs and derelict urban housing. Jack takes out each of his enemies with no remorse and utter brutality.

In Kinnear's case, Jack sends the film to the police with all the details connected to it. Kinnear's residence is raided by the police during a wild party and arrests are made, thus destroying what honesty is left to his reputation.

Jack meanwhile chases the last of his brother's killers along an ugly industrial black shoreline littered with piles of coal slag, gets him drunk like he did Frank and kills him.

As Jack tosses his gun into the sea, a paid assassin (known only as "J", the initial on his signet ring), who was contacted by Kinnear the previous evening, kills him with a long-range sniper shot to the head. The film ends with a shot of Carter's corpse on the lonely shoreline by the coal slag, the wind providing a bitter soundtrack as the cold, dirty waves wash over him.

[edit] Cast and crew

Image:Get Carter-2.jpg
Michael Caine as Jack Carter

Other roles included:

  • the playwright John Osborne as gang over-boss Cyril Kinnear
  • Ian Hendry as small-time gangster Eric Paice
  • Bryan Mosley as businessman Cliff Brumby
  • George Sewell as gangster Con McCarty
  • Tony Beckley as gangster Peter the Dutchman
  • Glynn Edwards as gambler Albert Swift and Carter's childhood friend
  • Terence Rigby as London gang boss and Carter's boss Gerald Fletcher
  • Godfrey Quigley as a work colleague of Frank Carter's
  • Alun Armstrong as Keith, another work colleague of Frank's
  • Bernard Hepton as Thorpe, a gangster
  • Petra Markham as Frank's daughter Doreen (one twist to the plot is that she may actually be Jack's biological daughter)
  • Geraldine Moffat as Kinnear's moll Glenda (who is also sleeping with Brumby in exchange for the use of a penthouse flat)
  • Dorothy White as Margaret, a married woman whom Frank Carter saw 'once a week'
  • Rosemarie Dunham as B&B owner Edna Garfoot
  • Britt Ekland as Anna, the mistress of Carter's boss Gerald Fletcher. She is also having relations with Carter and plans to run away to South America with him after Carter avenges his brother's death.

[edit] Music

The distinctive music in the film was composed by Roy Budd, a jazz and "easy listening" specialist, who worked well outside his previous boundaries for this film. The much admired theme tune features the sounds of Caine's train journey from London to Newcastle. All the music was played by Budd and two other jazz musicians, Jeff Clyne (double bass) and Chris Karan (percussion). The soundtrack was first released on CD by the Cinephile label in 1998 (it had previously only been released in Japan). It has often been used as incidental music for TV programmes and adverts, most with no connection to the film.

The influential Human League album Dare contains a track covering the Get Carter theme, although it was only a version of the sparse leitmotif that opens and closes the film as opposed to the full-blooded jazz piece that accompanies the train journey. Stereolab also covers Roy Budd's theme on their album Aluminum Tunes, Volume 2, although they call their version Get Carter, as opposed to its proper title, Main Theme (Carter Takes A Train). This Stereolab version was subsequently used as a sample in the song "Got Carter" by 76.

[edit] Early criticism

Initial critical reception was poor, especially in the United Kingdom: "soulless and nastily erotic...virtuoso viciousness", "sado-masochistic fantasy", and "one would rather wash one's mouth out with soap than recommend it". The much-respected American film critic Pauline Kael, however, was a fan of the film, admiring its 'calculated soullessness'. A minor hit at the time, the film has become progressively rehabilitated via subsequent showings on television; with its harsh realism, quotable dialogue and incidental detail, it is now considered among the best British gangster films ever made. In 2004, the magazine Total Film claimed it to be the greatest British movie in any genre.

There are two slightly different versions of this film. In the opening scene of the original version Gerald Fletcher warns Carter that the Newcastle gangs 'won't take kindly to someone from The Smoke poking his bugle in'. This was later redubbed (not by Terence Rigby) for American release with 'won't take kindly to someone from London poking his nose in', as tape previews in the US had revealed that many Americans did not understand what 'Smoke' and 'bugle' meant in this context. "Smoke" is slang for London, in reference to its reputation as a foggy city, while "bugle" is slang for nose.

Also the line 'I smell trouble, boy' is edited out, for no apparent reason. DVD releases within the United Kingdom under the 'Iconic Films' label do not have these changes.

[edit] Remakes

Get Carter was remade in 2000 under the same title, with Sylvester Stallone starring as Jack Carter. Michael Caine appears as Cliff Brumby and Mickey Rourke plays the villain Cyrus Paice. This remake was not well-received by critics. Hit Man, a 1972 blaxploitation film starring Bernie Casey and Pam Grier, is also a scene-for-scene remake, crediting Ted Lewis in the opening titles.

[edit] Locations

The novel on which the film was based, Jack's Return Home, unlike the film, is not set in Newcastle, nor, as has sometimes been suggested, is it set in Doncaster or Scunthorpe (Jack in fact makes only a connection at Doncaster railway station for an un-named steeltown). The film, however, is set exclusively in Newcastle and Gateshead.

Other locations in Northumberland and County Durham were also used. The location for the ending was the beach at Blackhall Colliery, six miles north of Hartlepool. At that time (it was shot in August 1970), waste from the pit was still being tipped directly into the North Sea. Since the closure of the collieries, the beach is now somewhat cleaner than the blackened wasteland over which Carter pursues Eric, although seacoal residues are still plentiful.

[edit] Promotion

Image:Get Carter poster.jpg
Alternative poster

The poster (illustrated) does not represent the film accurately. Carter is never seen wearing anything as gaudy as a floral jacket, Eric does not carry a gun at any point (indeed, the gun shown in the poster closely resembles Carter's), and the grappling man and woman do not resemble any characters in the film. The only fight of this kind depicted in the finished work is between two women in the pub that Carter visits, mid way through the film. The only part of the collage that is in any way accurate is the depiction of Kinnear struggling in police hands.

Promotional shots exist from the film showing Carter holding a pump action shotgun, despite the fact that the only shotgun used by Carter is a double-barreled shotgun which Jack finds on top of his brother Frank's wardrobe. (A sawed-off pump action shotgun is used by Peter in an unauthorized attempt to kill Carter at the ferry landing.) The first shot (found in some books about Gangster films) shows him pointing the gun at the camera and to a person who has not seen the film would appear to be an actual still. The second (found on the back of some DVD Covers, i.e. the Australian release of the film) is more clearly a promotional shot and shows Carter posing with one arm around Anna (Britt Ekland) and the other holding the pump action shotgun by his side.

[edit] External links

Wikiquote has a collection of quotations related to:
Get Carter

it:Carter (film) no:Skyt Carter sv:Get Carter (1971)

Views
Personal tools

Toolbox