Flugelhorn

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The flugelhorn (also spelled fluegelhorn or flügelhorn) is a brass instrument resembling a trumpet but with a wider, conical bore. Some consider it to be a member of the saxhorn family developed by Adolphe Sax (who also developed the saxophone); however, other historians assert that it stems from the keyed bugle by Michael Saurle (father), Munich 1832 (Royal Bavarian privilege for a "chromatic Flügelhorn" 1832), thus predating Adolphe Sax's innovative work.^[1]

Contents 1 Etymology 2 Structure and variants 3 Musical tone 4 Famous players 5 Footnotes 6 References 7 External links

[edit] Etymology

The original German spelling of Flügelhorn translates into English as wing horn. One possible etymology is that the instrument was used on the battlefield to summon the flanks, or wings, of an army into battle ^[2].

[edit] Structure and variants

The flugelhorn is built in the same B-flat pitch as many trumpets and cornets. It usually has three piston valves and employs the same fingering system as other brass instruments. Four valve and rotary valve variants also exist. It can thus be played without too much trouble by trumpet and cornet players, though some adaptation may be needed to their playing style. It is usually played with a more deeply conical mouthpiece than either trumpets or cornets (though not as conical as that on a

Some modern flugelhorns are built with a fourth valve which takes them down in pitch a perfect fourth (similar to the fourth valve sometimes found on euphoniums, tubas, and piccolo trumpets, as well as the trigger on trombones), adding a useful area of low range which when coupled with the dark sound gives an interesting extension to the instrument's abilities. More often, however, the fourth valve is used in place of the first and third valve combination, which is somewhat sharp (and which is flattened on trumpets and cornets and some three-valve flugelhorns by a "kicker" slide on the first and/or third valve).

[edit] Musical tone

The tone is fatter and usually regarded as more "mellow" and "dark" than that of the trumpet or cornet. It has a similar level of agility to the cornet but is more difficult to control in the high register where in general it "slots" or locks on to notes less easily. It is not generally used for aggressive or bright displays as both trumpet and cornet can be, but tends more towards a softer and more reflective role. Its main areas of use are in jazz and in the brass band, though it does get occasional use in orchestral writing; a notable example of the latter is the Ninth Symphony by Ralph Vaughan Williams. The flugelhorn is the melody-instrument of a fanfare-orchestra. The flugelhorn is usually substituted for the post horn in Mahler's Third Symphony.

Flugelhorns have occasionally been used as the alto or low soprano voice in a drum and bugle corps. However this is increasingly rare, as the mellophone, with its larger bell, is more often picked to mimic the sound of a French horn.

[edit] Famous players

Miles Davis was a pioneer in the use of the flugelhorn in jazz on the albums Miles Ahead and Sketches of Spain, both of which were arranged by Gil Evans, although he did not use it much on later projects. Other prominent jazz flugelhorn players include Clark Terry, Freddie Hubbard, Art Farmer, Hugh Masekela, Tony Guerrero, Jimmy Owens, Chet Baker, Chuck Mangione, Maynard Ferguson, Rick Braun, Mic Gillette, Terumasa Hino, Woody Shaw, Kenny Wheeler and Tom Harrell.

[edit] Footnotes

[edit] References

• Ralph T. Dudgeon, Franz X. Streitwieser: The Fluegelhorn. Edition Bochinsky, 2004, English/German, ISBN 3932275837

[edit] External links

• An enthusiast's flugelhorn guide with many details of individual makes.
• An overview and brief history of the flugelhorn including a short sound clip.cs:Křídlovka

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