Christian music
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| Christian music | |
|---|---|
| Stylistic origins: | A variety of genres evolving from Jesus music. |
| Cultural origins: | 1960s United States |
| Typical instruments: | Electric guitar, Bass guitar, Drums, Keyboard, Synthesizers |
| Mainstream popularity: | Continuous from 1990s |
| Subgenres | |
| Christian alternative rock · Christian bubblegum pop · Christian electronic music · Christian hardcore · Christian hip hop · Christian metal · Christian punk · Christian rock · Christian soft rock | |
| Other topics | |
| Christian entertainment industry · Christian girl group · Worship music | |
Christian music is music that is written to express either personal or a communal belief regarding the Christian life, as well as (in terms of contemporary music) to give a Christian alternative to main stream secular music. While the term "Christian Music" tends now to be appropriated by 20th and 21st century popular and rock musicians, Christian music can be broken into a number of historic categories and genres including: Liturgical Music, Masses, Anthems, Motets, sequences, psalmody, antiphons, Hymns, Contemporary Christian music, Gospel music, and Christian alternative rock. Additional popular categories are Gospel music, and Christian rap, Southern Gospel music.
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[edit] History
The Oxyrhynchus hymn is the oldest known surviving piece of Christian music.[1][2] It dates to the second or third century AD. Oxyrhynchus was a prominent and prosperous Egyptian city during the Hellenistic and Roman rules. It is known as el-Bahnasa now. A large collection of ancient papyrus writings was discovered here. The hymn was amongst the writings.[2]
[edit] Early Biblical references
The gospels of Matthew (26:30) and Mark (14:26) state that Jesus sang a hymn with his disciples immediately before his betrayal. The apostle Paul in the book of Ephesians (5:19) exhorted the church at Ephesus to speak to each other "in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord". In the book of Colossians (3:16) he also encouraged the church at Colossae to teach and admonish each other with "psalms and hymns and spiritual songs".
[edit] Early Church history
Aside from Christian hymns taken from the Bible itself, the earliest Christian hymn still in use today is probably O Gladsome Light (Greek Φως 'Ιλαρον, Phos Hilaron). In the fourth century, Basil the Great referred to it as already being a rather old hymn.
Some of the popularity of Arianism in the fourth century can be attributed to the catchy songs that the priest Arius composed in its support. The popularity of the songs helped increase the popularity of his teachings. Ephrem the Syrian composed a number of hymns later in the fourth century that supported what eventually came to be recognised as more orthodox doctrines.
Hymns are formal expressions of praise or declarations of God's truth. Troparia and Kontakia are two early forms of hymns that became incorporated into the Church's worship.
At the conclusion of the Fifth Ecumenical Council, Emperor Justinian I is reputed to have composed a hymn summarizing the council's conclusion, Only begotten Son. That hymn has since been incorporated into the Divine Liturgy of John Chrysostom and is still widely sung today.
For the most part, only the text of these hymns are known, not the music. The earliest known hymn with music notation is the so-called Oxyrhynchus hymn, named after the site of the discovery and dated to the 3rd century. It is one of the last known pieces written in an ancient Greek letter notation. It is difficult to make statements about the musical qualities of the early Christian music because of the dearth of evidence, and it is not clear what influence this sort of hymn had on later Christian music.
[edit] Hymns
There is record of the earliest music of the Christian church in a few New Testament books of what are probably hymns. Some of these fragments are still sung as hymns today in the Orthodox Church, including "Awake, awake O sleeper" on the occasion of someone's baptism.
Hymns are songs that are specifically written for the purpose of praise, adoration or prayer. Some hymns, particularly Christmas carols, are widely embraced by various denominations while many hymns are restricted to certain religious traditions. In some cases this is due to doctrinal differences reflected in the words of the song but in many cases it is the result of tradition and the use of denominationally produced or approved hymnals. The use of hymns was a factor in several historic schisms among Protestant denominations with more traditional members insisting on the use of only the psalms in the service.
The popularisation of Christian hymns in the English language is historically tied to the emergence of Protestantism - though Latin office hymns were previously used in the monastic office of the Catholic church. Modern hymns in vernacular languages range from the Protestant Reformation hymns of Martin Luther and J. S. Bach; to the hymns of Charles Wesley, brother of John Wesley; the American folk hymns found in the Sacred Harp; to Roman Catholic 20th and 21st century Australian hymns by Richard Connolly and James McAuley; and the American Catholic hymns of Marty Haugen.
Martin Luther composed a number of hymns in the 16th century. It is a common misconception that he reportedly borrowed melodies from popular tavern drinking songs of that period. This misconception may be due to the fact that several of the tunes that he used were in German Bar form (meaning a three-part stanza), which refers to the form of the music (AAB) not the place in which it was performed.
[edit] Masses
Masses are composed using the texts of either the Roman Catholic Mass, the Anglican/Episcopalian Holy Communion service or the Lutheran service of Holy Communion.
[edit] Types of Christian Chant
[edit] Western plainchant
Several traditions of plainchant, a form of monophonic, unaccompanied singing, developed in the Christian West: Celtic chant in Ireland, Mozarabic chant in Spain, Gallican chant in France, Ambrosian chant in Milan, Beneventan chant in Benevento, and Old Roman chant in Rome. Around the 8th to 10th centuries, Gregorian chant arose. It is believed to derive from a Carolingian synthesis of 8th-century Roman chant and local Gallican chant traditions, which quickly spread across Europe under the auspices of Charlemagne and later Holy Roman Emperors. By the 12th century, Gregorian chant had effectively supplanted all of the other traditions of Western plainchant, except for Ambrosian chant of Milan and Mozarabic chant in a handful of Spanish chapels.
The name "Gregorian" probably originally referred to Pope Gregory II, but the chant eventually became associated with his predecessor Gregory the Great, whose great stature gave Gregorian chant a reputation for antiquity and spiritual authority. So strong is the myth of Gregory's authorship of the chant repertory that it is popularly believed even today.
Gregorian chant was classified into eight modes, influenced by the oktoechos of Byzantine chant. The texts that are chanted are mostly from the Bible, and mostly in Latin (there are some Greek texts such as Kyrie eleison and Hagios Theos}. Gregorian chant has gone through periods of decline and revival, most notably, the revival by the monks of Solesmes Abbey, who produced the current official edition, the Liber usualis. Most editions of Gregorian chant available today can be traced to the work of the Solesmes monks.
Since Vatican II, the use of liturgical Latin has declined, and with it, Gregorian chant. However, the popularity of the recordings of the Monks of Santo Domingo de Silos in the 1990s suggests that there is an audience for chant.
[edit] Byzantine chant
Byzantine music is the music of the Byzantine Empire and by extension the music of its culture(s) as they continued in the Orthodox Christian parts of the population after the fall of the empire to the rule of the Ottoman Empire.
[edit] Contemporary Christian music
Contemporary Christian music would be the closest sounding style to pop or Top 40 music. It is by far the greatest selling of all the categories. It consists of a variety of styles that focus on mostly spiritual topics, such as prayer and praise (including artist like Chris Tomlin, MercyMe, Casting Crowns, Mark Schultz, Twila Paris and Rebecca St. James.)
The band that really broke the mold and made Christian contemporary music more popular was dc Talk. Members Kevin Max, Toby McKeehan and Michael Tait blended their separate backgrounds and faith to make a funky modern style of music that no band since has compared to - with everything from R&B to hip hop, dc Talk really made waves in the music industry by not only saying exactly what they meant, but saying it to a beat and tune that really caught the ear of the listener.
[edit] United States and Canada
The most recent common form of Christian music in the United States and Canada is Contemporary Christian music, or CCM. This draws most of its influence from secular music of the late 20th century and is the most popular kind of Christian music in the Western world. Although there are many Christian music acts in the mainstream music industry, the term CCM usually refers specifically to artists within the Christian music industry that are played on Christian radio. There is a "Christian music" counterpart to nearly every popular musical style, making the label a misnomer that describes not musical qualities but consumer and marketing ones.
[edit] Brazilian Christian music
While Brazilian Protestantism came to be dominated by CCM-influenced pop music, specially after the "gospel movement" of late 1980's, there was a period from the 1970s to the early 1990s when there was a creative movement adapting various Brazilian styles, mainly MPB and Brazilian traditional rhythms (like samba and forró) to religious meanings and congregational singing. While little is left of this movement, known simply as 'Música Evangélica' to contrast with the pop, commercialised, CCM-like 'Música Gospel', there are still some groups and persons continuing the creative tradition, such as João Alexandre, Guilherme Kerr and Rebanhão. Furthermore, there are a few individuals creating Brazilian Christian music out of any specific movement or school, the most famous one being Elomar Figueira de Mello, known for his erudite, regionalist music escaping current nihilism common in Contemporary music.[citation needed]
Brazilian gospel movement has spawned many bands of varying styles, such as christian rock, rhythm & blues, reggae, rap, samba, frevo among others. Among those, a few have achieved consirable success, even for mainstream standards, such as Oficina G3, Diante do Trono, Aline Barros, Catedral, Katsbarnea, and Fernanda Brum.
[edit] Christian alternative rock
Christian alternative rock encompasses a variety of artists and styles. In recent years, it has started to be accepted into secular circles including bands like Mae, Relient K, Switchfoot, Anberlin, Jeremy Camp, Factor seven, mewithoutYou and P.O.D. Many alternative Christian rock bands focus on Christian beliefs and the struggles that they have encountered, often leading to an interesting insight into Christian beliefs.
[edit] Gospel music
Gospel music is a musical genre characterized by dominant vocals (often with strong use of harmony) referencing lyrics of a religious nature, particularly Christian. Subgenres include contemporary gospel, urban contemporary gospel (sometimes referred to as "black gospel"), Southern Gospel and modern Gospel music (now more commonly known as praise and worship or Contemporary Christian music). Most forms of gospel music use piano and/or Hammond organ, drums, bass guitar and, increasingly, electric guitar.
- See also: Urban contemporary gospel and Southern Gospel
[edit] References
[edit] See also
[edit] Popular modern Christian genres and associated subgenres
| This article is a part in a series on Christian music | |
Roots and Beginnings | |
Genres and Subgenres | |
WikiProjects | |
| See also: Christianity: Category • Christianity Portal Christian music: Category • Portal | |
- Contemporary Christian music
- Southern Gospel
- Urban contemporary gospel
- Jubilee quartet
- Christian hip hop
- Mass choirs
[edit] Other Christian music articles
- Byzantine music
- Gregorian chant
- Hymn
- Mass (music)
- Praise song
- Worship leader
- Worship presentation program
[edit] External links
| Christianity Portal |
| Christian music Portal |
- Christian30 Countdown Top 40 Christian format
- Christian Music Daily Christian and Gospel music news, reviews, interviews and forums
- The CCM Patrol - reviews and analysis of Christian music.
- Christian Music Central: Christian Music Videos
- All Things Christian Christian Music
- Christian music at the Open Directory Project
- Shall We Gather at the River, a collection of African American Christian music; made available for public use by the State Archives of Florida
- New Christian Music Releases and Upcoming Release Schedule
- Church Music in Catholic Encyclopedia
- Enciclopedia Cecilia (in Spanish) Includes a Catholic Encyclopedia about music, wiki-style
- Christian Music Resource Christian music information and popular albums
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es:Música sacra it:Musica sacra nl:Christelijke muziek no:Kirkemusikk fi:Kirkkomusiikki sv:Kristen musik pt:Música Cristã
