Bass-baritone

From Wikipedia, the free encyclopedia

Jump to: navigation, search
Voice Type (ranges)
Female voices
Soprano
Mezzo-soprano
Contralto

Male voices

Countertenor
Tenor
Baritone
Bass-baritone
Bass

Related concepts

Coloratura
Chest register
Falsetto
Head register
Sprechgesang

edit this - view history

A bass-baritone is a singing voice that shares certain qualities of both the baritone and the bass. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: Dutchman (in Der fliegende Holländer), Wotan (in the Ring Cycle) and Hans Sachs (in Die Meistersinger von Nürnberg). Wagner wrote those roles for what he called Hoher Bass ("high bass," this is explained in more detail at fach).

The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. It must also, however, have the resonant lower range typically associated with the bass. For example, the role of Wotan in Die Walküre covers the range from the F# above middle C to the F below the bass clef but only infrequently descends beyond the C below middle C.

[edit] Bass-baritone roles in opera

[edit] Bass-baritone roles in operetta

Common vocal ranges represented
on a musical keyboard

All of the Gilbert and Sullivan comic operas have at least one bass-baritone character. Bass-baritones famous for singing these roles included Richard Temple, Darrell Fancourt and Donald Adams.

[edit] Prominent bass-baritones

ca:Baix-baríton

de:Bassbariton es:Barítono bajo eo:Basbaritono hr:Basbariton it:Basso-baritono ms:Bariton-bes pl:Bas-baryton pt:Baixo-barítono sh:Bas-baritoni fi:Bassobaritoni sv:Basbaryton

Views
Personal tools

Toolbox