Antoni Gaudí

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Antoni Gaudí
Image:Antoni Gaudi 1878.jpg Antoni Gaudí in 1878
Personal information
Name	Antoni Gaudí
Birth date	June 25 1852(1852-06-25)
Birth place	Reus, or Riudoms[1][2]
Date of death	June 10 1926 (aged 73)
Place of death	Barcelona, (Catalonia, Spain)
Work
Significant buildings	Sagrada Família, Casa Milà, Casa Batlló
Significant projects	Park Güell, Colònia Güell

Antoni Plàcid Guillem Gaudí i Cornet (Riudoms or Reus, 25 June 1852 – Barcelona, 10 June 1926) – sometimes referred to by the Spanish translation of his name, Antonio Gaudí – was a Spanish Catalan architect, who belonged to the Modernisme (Art Nouveau) movement and was famous for his unique style and highly individualistic designs.

Contents 1 Biography 1.1 Birthplace 1.2 Higher education 1.3 Early career 2 Artistic style 3 Popularity 4 Social and political influences 5 Major works 6 Influence 7 Notes 8 References 9 External links

[edit] Biography

[edit] Birthplace

Gaudí was born in the province of Tarragona in southern Catalonia, Spain in 1852. While there is some dispute as to his birthplace – official documents state that he was born in the town of Reus, whereas others claim he was born in Riudoms, a small village 3 miles (5 km) from Reus,^[2] – it is certain that he was baptized in Reus a day after his birth. The artist's parents, Francesc Gaudí Serra and Antònia Cornet Bertran, both came from families of metalsmiths.

The youngest of five, Gaudí found he was too lame to play with friends his own age because of rheumatism. (Some believe he only had arthritis in his hands and could, in fact, take walks.) Because he was in considerable pain, he was rarely able to walk on foot and was forced to ride a donkey when he wanted to venture from his home. The fact that he remained close to home allowed him substantial free time to inspect nature and its design.^[2] It has been hypothesized that it was this exposure to nature at an early age that began to hone two of his greatest qualities: observation and the analysis of nature.^[3]

[edit] Higher education

Gaudí, as an architecture student at the Escola Tècnica Superior d'Arquitectura in Barcelona from 1873 to 1877, achieved only mediocre grades but did well in his "Trial drawings and projects"^[4] After five years of work, he was awarded the title of architect in 1878. As he signed Gaudí's title, Elies Rogent declared, "Qui sap si hem donat el diploma a un boig o a un geni: el temps ens ho dirà" ("Who knows if we have given this diploma to a nut or to a genius. Time will tell.")

The newly named architect immediately began to plan and design and would remain affiliated with the school his entire life .

[edit] Early career

• 1878–1879: Lampposts for the Plaça Reial at Barcelona;
• 1878: Showcase for glove manufacturer Comella. Via this work, used at the World's Fair in Paris, Eusebi Güell came to know the architect.^[5]
• 1878–1882: Several designs for the Obrera Mataronense at Mataró. Only a very small part of these plans was built, but it shows Gaudí's first use of parabolic arches, here in a wooden structure.
• 1883–1885: Casa Vicens;
• 1883–1885: Villa "El Capricho" at Comillas (Santander);
• 1884: Finca Güell: Entrance pavillion and stables for the palace at Pedralbes (first completed building for Eusebi Güell);
• 1884–1891: Completion of the crypt of the Sagrada Família (the crypt had been started by the architect Francisco del Villar in 1882, who had to abandon the project in 1883);
• 1885–1889: Palau Güell;
• 1887–1893: Episcopal palace at Astorga;
• 1889–1894: Colegio Teresiano;
• 1891–1893: Outer walls of the absis of the Sagrada Família;
• 1892–1894: Casa de los Botines at León.

[edit] Artistic style

Gaudí's first works were designed in the style of gothic and traditional Spanish architectural modes, but he soon developed his own distinct sculptural style. French architect Eugene Viollet-le-Duc, who promoted an evolved form of gothic architecture, proved a major influence on Gaudí. But the student surpassed the master architect and contrived highly original designs – irregular and fantastically intricate. Some of his greatest works, most notably La Sagrada Família, have an almost hallucinatory power.

He integrated the catenary arch and hyperboloid structures, nature's organic shapes,^[6] and the fluidity of water into his architecture. While designing buildings, he observed the forces of gravity and related catenary principles.^[7] (Gaudí designed many of his structures upside down by hanging various weights on interconnected strings or chains, using gravity to calculate catenaries for a natural curved arch or vault.^[6])

Using the trencadís technique, Gaudí often decorated surfaces with broken tiles.^[7]

The architect's work was categorized as Art Nouveau architecture, a precursor to modern architecture. But his adoption of biomorphic shapes rather than orthogonal lines put him in a category unto himself (in Latin, sui generis).

[edit] Popularity

Gaudí's originality was at first ridiculed by his peers. Indeed, he was first only supported by the rich industrialist Eusebi Güell. His fellow citizens referred to the Casa Milà as La Pedrera ("the quarry"), and George Orwell, who stayed in Barcelona during the Spanish Civil War, admittedly loathed his work. As time passed, though, his work became more famous, up to the point that he is now considered one of history's most original architects^{[citation needed]}.

[edit] Social and political influences

The opportunities afforded by Catalonia's socioeconomic and political influences were endless. Catalans such as Antoni Gaudí often showcased the region's diverse art techniques in their works. By mimicking nature, such artists symbolically pushed back the province's ever-increasing industrial society.

Gaudí, among others, promoted the Catalan movement for regaining sovereignty from Spain by incorporating elements of Catalan culture in his designs.^[7]. Gaudí was involved in politics since he supported the Catalanist political party Regionalist League. For example, in 1924 Spanish authorities (ruled by the dictator Primo de Rivera) closed Barcelona's churches in order to prevent a nationalist celebration (September 11th, National Day of Catalonia), Gaudí attended to Saints Justus and Pastor's church and was arrested by the Spanish police for answering in Catalan ^{[8] [9]}.

[edit] Major works

• Casa Vicens (1878–1880)
• Palau Güell (1885–1889)
• College of the Teresianas (1888–1890)
• Crypt of the Church of Colònia Güell (1898–1916)
• Casa Calvet (1899–1904)
• Casa Batlló (1905–1907)
• Casa Milà (La Pedrera) (1905–1907)
• Park Güell (1900–1914)
• Sagrada Família Nativity façade and Crypt of the Sagrada Família cathedral (1884–1926)

See also the List of Gaudi Buildings.

[edit] Influence

• Gaudí's abandoned plans for a New York skyscraper hotel were re-proposed for the redesign of the World Trade Center after the September 11, 2001 attacks.^[10]
• In 1992, five artists founded La Asociación pro Beatificación de Antoni Gaudí. The secular association has since pushed for the Roman Catholic church to declare Gaudí blessed.^[11]
• Gaudí's life and work inspired The Alan Parsons Project to create the 1987 album Gaudí.
• There are striking similarities between the work of Gaudí and that of Friedensreich Hundertwasser, mainly in the latter man's biomorphic forms and use of tile.

[edit] Notes

[edit] References

• Martinell, César. Antoni Gaudí. Barcelona, 1975 (English edition).

[edit] External links

• Casa Batllo (multilingual; requires Adobe Flash)
• Sagrada Família (multilingual)
• La Pedrera (multilingual; requires Adobe Flash)
• Gaudi: Designer (in English and French)
• Hyperboloid structures by GaudiPDF (420 KiB)
• Antoni Plàcid Gaudí i Cornet information at Structurae
• Antoni Gaudí at the Open Directory Project
• Antoni Gaudí i Cornet
• Gaudí's arrestPDF (142 KiB) (Catalan)

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