Alan Parsons
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| Alan Parsons | |
|---|---|
| Image:Alanparsons1.jpg | |
| Background information | |
| Born | December 20 1948 London, England |
| Genre(s) | Rock |
| Occupation(s) | Recording-engineer, composer, musician, producer, director |
| Years active | 1967-present |
| Label(s) | Sony Legacy, Arista |
| Associated acts | The Alan Parsons Project |
| Website | Alan Parsons Music |
Alan Parsons (b. December 20, 1948 in London) is a British audio engineer, musician, and record producer. He was involved in the production of several successful albums, including the Beatles' Abbey Road and The Dark Side of the Moon, for which Pink Floyd credit him as an important contributor. Parsons' own group, the Alan Parsons Project, has also been commercially successful.
[edit] Career
In October 1967, at age 18, Parsons went to work as an assistant engineer at Abbey Road Studios, where he earned his first credit on the LP, Abbey Road. He became a fixture there, engineering such projects as Paul McCartney's Wild Life and Red Rose Speedway, five albums by The Hollies, and Pink Floyd’s The Dark Side of the Moon, for which he received his first Grammy Award nomination. He was known for going beyond what would normally be considered the scope of a recording engineer’s duties. He considered himself to be a recording director, likening his contribution to recordings to what Stanley Kubrick contributed to film. This is apparent in his work with Al Stewart's Year of the Cat, where Parsons added the saxophone part and transformed the original folk concept into the jazz-influenced ballad that put Al Stewart onto the charts. It is also heard in Parsons’ influence on the Hollies’ He Ain't Heavy, He’s My Brother and The Air That I Breathe, sharp departures from their 1960s pop Stay, Just One Look, Stop, Stop, Stop, or Bus Stop. Parsons was also known to have swapped shifts during the engineering of The Dark Side of the Moon so he could work entirely on the project.
Parsons also produced three albums by Pilot, a Scottish pop rock band consisting of Ian Bairnson on guitar, Stuart Tosh on drums, and David Paton on lead vocals, guitars and bass. Their hits included January and Magic.
Apparently inspired by his influential contribution to Stewart’s work, he founded The Alan Parsons Project with producer and songwriter (and occasional singer) Eric Woolfson in 1975. The Project consisted of a revolving group of studio musicians and vocalists, most notably the members of Pilot and (on the first album) the members of American rock band Ambrosia. Unlike most rock groups, the Project rarely performed live, although they did release a number of music videos. After releasing ten albums, the Project dissolved after 1987, and Parsons continues to release work in his own name and in collaboration with other musicians; Parsons and his band now regularly tour many parts of the world.
Although an accomplished vocalist, keyboardist, bassist, guitarist and flautist, Parsons sang infrequent and incidental parts on his albums. While his keyboard playing was very prominent on Alan Parsons Project albums, very few recordings feature his flute.
Of all his collaborations, guitarist Ian Bairnson worked with Parsons the longest, including Parsons' post-Woolfson albums, Try Anything Once, On Air, and The Time Machine.
As well as receiving gold and platinum awards from nearly every country in the world, Parsons has received eleven Grammy Award nominations for engineering and production. In 2007 he received a nomination for Best Surround Sound Album for A Valid Path.
The Project’s song, Sirius, has been used for years by the Nebraska Cornhuskers, Pittsburgh Steelers, New Orleans Saints, Chicago Bulls, Phoenix Suns, and the Kansas City Chiefs as background music for their home team player introductions. It was also used by professional wrestler Ricky “The Dragon” Steamboat as his theme music during his first stint in the World Wrestling Federation in the 1980s. (In addition, the song the Bulls use as background music for the visiting team introductions is Pink Floyd’s “On The Run, from The Dark Side of the Moon, engineered by Parsons.)
In May 2005, Parsons appeared at the Canyon Club in Agoura Hills, California, to mix front-of-house sound for Southern California-based Pink Floyd tribute band Which One’s Pink? and their performance of The Dark Side of the Moon in its entirety. link In an interview with the Santa Barbara Independent newspaper regarding his work with Project Unity, Parsons also briefly mentioned Which One's Pink? link
Indie band Grandaddy made a promotional CD with the track “Alan Parsons In A Winter Wonderland”.
As of 2007, he tours under a revised name, The Alan Parsons Live Project (with Woolfson’s permission), presenting world-spanning concerts performing material from his most recent album A Valid Path as well as selections from the original Project. The earlier 2004-2005 shows offered vocalist P.J. Olsson’s track More Lost Without You while the later 2006 shows presented The Crystal Method-featured We Play the Game and opened with Return to Tunguska along with hits spanning the Project years.
Parsons lives in the Santa Barbara, California, area.
[edit] Discography
| Date | Title | Label | Charted | Country | Catalog Number | |
|---|---|---|---|---|---|---|
| as part of The Alan Parsons Project | ||||||
| May 1976 | Tales of Mystery and Imagination | Mercury | 38 | US | ||
| June 1977 | I Robot | Arista | 9 | US | ||
| June 1978 | Pyramid | Arista | 26 | US | ||
| August 1979 | Eve | Arista | 13 | US | ||
| October 1980 | The Turn of a Friendly Card | Arista | 13 | US | ||
| June 1982 | Eye in the Sky | Arista | 7 | US | ||
| 1983 | The Best of the Alan Parsons Project | Arista | 53 | US | ||
| March 1984 | Keats | EMI | ||||
| February 1984 | Ammonia Avenue | Arista | 15 | US | ||
| March 1985 | Vulture Culture | Arista | 46 | US | ||
| November 1985 | Stereotomy | Arista | 43 | US | ||
| January 1987 | Gaudi | Arista | 57 | US | ||
| 1988 | The Best of the Alan Parsons Project, Vol. 2 | Arista | - | - | ||
| 1990 | Freudiana | EMI | - | - | ||
| October 9, 1989 | Pop Classics | Arista | - | - | ||
| June 27, 1995 | The Very Best Live | - | - | |||
| July 1, 1997 | Apollo | - | - | |||
| July 15, 1997 | The Definitive Collection | - | - | |||
| April 15, 1999 | Sound Check 2 | - | - | |||
| July 27, 1999 | Master Hits - The Alan Parsons Project | - | - | |||
| August 2, 1999 | Alan Parsons Project - Greatest Hits Live | - | - | |||
| August 3, 1999 | Eye in the Sky | - | - | |||
| August 3, 1999 | Eye in the Sky - Encore Collection | - | - | |||
| May 9, 2000 | Alan Parsons Project - Gold Collection | BMG International | - | - | ||
| August 22, 2002 | Works | Audiophile Legends | - | - | ||
| March 23, 2004 | Ultimate | - | - | |||
| June 1, 2004 | Extended Versions: The iEncore Collection Live | - | - | |||
| 2006 | Days Are Numbers (3 CD Compilation) | Arista | - | - | 88697016972 | |
| as Engineer | ||||||
| 1969 | Abbey Road (The Beatles) | 1 | UK US | |||
| 1970 | Atom Heart Mother (Pink Floyd) | 1 55 | UK US | |||
| 1973 | The Dark Side of the Moon (Pink Floyd) | 2 1 | UK US | |||
| 1974 | Hollies (The Hollies) | 28 | US | |||
| 1975 | Another Night (The Hollies) | 132 | US | |||
| 1976 | Year of the Cat (Al Stewart) | 5 | US | |||
| as Producer | ||||||
| 1975 | The Best Years of Our Lives (Steve Harley & Cockney Rebel) | - | - | |||
| 1976 | Rebel (John Miles) | 171 | US | |||
| 1976 | Year of the Cat (Al Stewart) | 5 | US | |||
| 1978 | Time Passages (Al Stewart) | 10 | US | |||
| as Solo Artist | ||||||
| October 6, 1993 | Try Anything Once | - | - | |||
| July 25, 1997 | On Air | - | - | |||
| September 28, 1999 | Time Machine | - | - | |||
| August 24, 2004 | A Valid Path | - | - | |||
[edit] External links
- Alan Parsons Music Official Site
- Alan Parsons Project Official Site
- Alan Parsons in the Internet Movie Data Base
| The Alan Parsons Project |
|---|
| Alan Parsons | Eric Woolfson | Andrew Powell | Ian Bairnson | Richard Cottle |
| Discography |
| Studio Albums: Tales of Mystery and Imagination | I Robot | Pyramid | Eve | The Turn of a Friendly Card | Eye in the Sky | Ammonia Avenue | Vulture Culture | Stereotomy | Gaudi |
| Compilations: The Best of the Alan Parsons Project | The Best of the Alan Parsons Project, Vol. 2 | The Essential Alan Parsons Project |
| Singles: "(The System Of) Dr. Tarr and Professor Fether" | "The Raven" | "I Wouldn't Want To Be Like You" | "Don't Let It Show" | "What Goes Up" | "Damned If I Do" | "Games People Play" | "Time" | "Snake Eyes" | "Eye in the Sky" | "Psychobabble" | "You Don't Believe" | "Don't Answer Me" | "Prime Time" | "Let's Talk About Me" | "Days Are Numbers (The Traveller)" | "Stereotomy" |
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