Academy Award for Best Cinematography
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The Academy Award for Best Cinematography is awarded each year to a cinematographer for his or her work in one particular motion picture.
In its first year, 1927-28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1928-29, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1929-30, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
Finally, for the 1931 awards, the modern system in which the nomination is tied to a single film was adopted in all categories. From 1939 to 1967 (with the single exception of 1957), there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).
Floyd Crosby won the last Academy Award to go to a silent film for Tabu in 1931. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black and white and color cinematography.
For many years, separate Oscars were given in the same year for black-and-white and color cinematography. This did not change until the late 1960's, when the category was altered because few black-and-white films were being made.
No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928-29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right To Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.
[edit] Multiple winners
Joseph Ruttenberg (1938, 1942, 1956, 1958) and Leon Shamroy (1942, 1944, 1945, 1963) are the only cinematographers who have won this award four times. Shamroy was the first back-to-back winner.
Three-time winners are: Arthur C. Miller (1941, 1943, 1946), Winton Hoch (1948, 1949, 1952; the second of only three back-to-back winners); Robert Surtees (1950, 1952, 1959); Freddie Young (1962, 1965, 1970); Vittorio Storaro (1979, 1981, 1987); and Conrad Hall (1969, 1999, 2002).
Fifteen other cinematographers have won the award twice. These include John Toll, the only other person to win back-to-back awards, in 1994 and 1995.
The director whose films have won the most cinematography Academy Awards is David Lean, with five (1947, 1957, 1962, 1965, 1970).
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[edit] 1920s
- 1928 - Charles Rosher and Karl Struss, Sunrise
- 1929 - Clyde DeVinna, White Shadows in the South Seas
[edit] 1930s
- 1930 - Joseph T. Rucker and Willard Van Der, With Byrd at the South Pole
- 1931 - Floyd Crosby, Tabu: A Story of the South Seas
- 1932 - Lee Garmes Shanghai Express
- 1933 - Charles Bryant Lang. Jr, A Farewell to Arms
- 1934 - Victor Milner, Cleopatra
- 1935 - Hal Mohr, A Midsummer Night's Dream
- NOTE: This was and still is the only time in the history of the Academy Awards that a write-in candidate won in any category: Mohr had not been nominated by his fellow cinematographers, but won the award on the strength of an overwhelming write-in campaign by the full membership.
- 1936 - Tony Gaudio, Anthony Adverse
- 1937 - Karl Freund, The Good Earth
- 1938 - Joseph Ruttenberg, The Great Waltz
From 1939, there were separate awards for Black and White and for Color:
- 1939 - Gregg Toland, Wuthering Heights (B&W)
- - Ernest Haller and Ray Rennahan, Gone with the Wind (Color)
[edit] 1940s
- 1940 - George Barnes, Rebecca (B&W)
- - George Perinal, The Thief of Bagdad (Color)
- 1941 - Arthur C. Miller, How Green Was My Valley (B&W)
- - Ernest Palmer and Ray Rennahan, Blood and Sand (Color)
- 1942 - Joseph Ruttenberg, Mrs. Miniver (B&W)
- - Leon Shamroy, The Black Swan (Color)
- 1943 - Arthur C. Miller, The Song of Bernadette (B&W)
- - Hal Mohr and W. Howard Greene, The Phantom of the Opera (Color)
- 1944 - Joseph LaShelle, Laura (B&W)
- - Leon Shamroy, Wilson (Color)
- 1945 - Harry Stradling, The Picture of Dorian Gray (B&W)
- 1946 - Arthur C. Miller, Anna and the King of Siam (B&W)
- - Charles Rosher, Leonard Smith and Arthur Arling, The Yearling (Color)
- 1947 - Guy Green, Great Expectations (B&W)
- - Jack Cardiff, Black Narcissus (Color)
- 1948 - William Daniels, The Naked City (B&W)
- - Joseph Valentine, William V. Skall and Winton Hoch, Joan of Arc (Color)
- 1949 - Paul C. Vogel, Battleground (B&W)
- - Winton Hoch, She Wore a Yellow Ribbon (Color)
[edit] 1950s
- 1950 - Robert Krasker, The Third Man (B&W)
- - Robert Surtees, King Solomon's Mines (Color)
- 1951 - William C. Mellor, A Place in the Sun (B&W)
- - Alfred Gilks and John Alton, An American in Paris (Color)
- 1952 - Robert Surtees, The Bad and the Beautiful (B&W)
- - Winton Hoch and Archie Stout, The Quiet Man (Color)
- 1953 - Burnett Guffey, From Here to Eternity (B&W)
- - Loyal Griggs, Shane (Color)
- 1954 - Boris Kaufman, On the Waterfront (B&W)
- - Milton R. Krasner, Three Coins in the Fountain (Color)
- 1955 - James Wong Howe, The Rose Tattoo (B&W)
- - Robert Burks, To Catch a Thief (Color)
- 1956 - Joseph Ruttenberg, Somebody Up There Likes Me (B&W)
- - Lionel Lindon, Around the World in Eighty Days (Color)
For 1957, there was a single award:
From 1958, there were separate awards for Black and White and for Color:
- 1958 - Sam Leavitt, The Defiant Ones (B&W)
- - Joseph Ruttenberg, Gigi (Color)
- 1959 - William C. Mellor, The Diary of Anne Frank (B&W)
- - Robert Surtees, Ben-Hur (Color)
[edit] 1960s
- 1960 - Freddie Francis, Sons and Lovers (B&W)
- - Russel Metty, Spartacus (Color)
- 1961 - Eugen Schufftan, The Hustler (B&W)
- - Daniel L. Fapp, West Side Story (Color)
- 1962 - Jean Bourgoin, Walter Wottitz, The Longest Day (B&W)
- - Freddie Young, Lawrence of Arabia (Color)
- 1963 - James Wong Howe, Hud (B&W)
- - Leon Shamroy, Cleopatra (Color)
- 1964 - Walter Lassally, Zorba the Greek (B&W)
- - Harry Stradling, My Fair Lady (Color)
- 1965 - Ernest Laszlo, Ship of Fools (B&W)
- - Freddie Young, Doctor Zhivago (Color)
- 1966 - Haskell Wexler, Who's Afraid of Virginia Wolf? (B&W)
- - Ted Moore, A Man for All Seasons (Color)
From 1967, there was a single award again:
- 1967 - Burnett Guffey, Bonnie & Clyde
- 1968 - Pasqualino De Santis, Romeo and Juliet
- Daniel L. Fapp, Ice Station Zebra
- Ernest Laszlo, Star!
- Oswald Morris, Oliver!
- Harry Stradling, Funny Girl
- 1969 - Conrad Hall, Butch Cassidy and the Sundance Kid
- Daniel Fapp, Marooned
- Arthur Ibbetson, Anne of the Thousand Days
- Charles B. Lang, Bob & Carol & Ted & Alice
- Harry Stradling, Hello, Dolly!
[edit] 1970s
- 1970 - Freddie Young, Ryan's Daughter
- Fred Koenekamp, Patton
- Ernest Laszlo, Airport
- Charles F. Wheeler, Osami Furuya, Sinsaku Himeda and Masamichi Satoh, Tora! Tora! Tora!
- Billy Williams, Women in Love
- 1971 - Oswald Morris, Fiddler on the Roof
- 1972 - Geoffrey Unsworth, Cabaret
- Charles B. Lang, Butterflies Are Free
- Douglas Slocombe, Travels With My Aunt
- Harold E. Stine, The Poseidon Adventure
- Harry Stradling, Jr., 1776
- 1973 - Sven Nykvist, Cries and Whispers
- Jack Couffer, Jonathan Livingston Seagull
- Owen Roizman, The Exorcist
- Harry Stradling, Jr., The Way We Were
- Robert Surtees, The Sting
- 1974 - Fred Koenekamp and Joseph Biroc, The Towering Inferno
- 1975 - John Alcott, Barry Lyndon
- 1976 - Haskell Wexler, Bound for Glory
- 1977 - Vilmos Zsigmond, Close Encounters of the Third Kind
- 1978 - Nestor Almendros, Days of Heaven
- 1979 - Vittorio Storaro, Apocalypse Now
[edit] 1980s
- 1980 - Geoffrey Unsworth and Ghislain Cloquet, Tess
- Nestor Almendros, The Blue Lagoon
- Ralf D. Bode, Coal Miner's Daughter
- Michael Chapman, Raging Bull
- James Crabe, The Formula
- 1981 - Vittorio Storaro, Reds
- 1982 - Billy Williams and Ronnie Taylor, Gandhi
- 1983 - Sven Nykvist, Fanny and Alexander
- Caleb Deschanel, The Right Stuff
- William A. Fraker, WarGames
- Don Peterman, Flashdance
- Gordon Willis, Zelig
- 1984 - Chris Menges, The Killing Fields
- 1985 - David Watkin, Out of Africa
- Allen Daviau, The Color Purple
- William A. Fraker, Murphy's Romance
- Takao Saito, Masaharu Ueda and Asakazu Nakai, Ran
- John Seale, Witness
- 1986 - Chris Menges, The Mission
- 1987 - Vittorio Storaro , The Last Emperor
- 1988 - Peter Biziou, Mississippi Burning
- 1989 - Freddie Francis, Glory
[edit] 1990s
- 1990 - Dean Semler, Dances with Wolves
- 1991 - Robert Richardson, JFK
- 1992 - Philippe Rousselot, A River Runs Through It
- 1993 - Janusz Kaminski, Schindler's List
- 1994 - John Toll, Legends of the Fall
- Don Burgess, Forrest Gump
- Roger Deakins, The Shawshank Redemption
- Owen Roizman, Wyatt Earp
- Piotr Sobocinski, Three Colors: Red
- 1995 - John Toll, Braveheart
- 1996 - John Seale, The English Patient
- 1997 - Russell Carpenter, Titanic
- 1998 - Janusz Kaminski, Saving Private Ryan
- Conrad L. Hall, A Civil Action
- Remi Adefarasin, Elizabeth
- Richard Greatrex, Shakespeare in Love
- John Toll, The Thin Red Line
- 1999 - Conrad Hall, American Beauty
[edit] 2000s
- 2002 (75th) - Conrad Hall, Road to Perdition
- Dion Beebe, Chicago
- Edward Lachman, Far from Heaven
- Michael Ballhaus, Gangs of New York
- Paweł Edelman, The Pianist
- 2003 (76th) - Russell Boyd, Master and Commander: The Far Side of the World
- Cesar Charlone, City of God
- John Seale, Cold Mountain
- Eduardo Serra, Girl with a Pearl Earring
- John Schwartzman, Seabiscuit
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